Hybrid Animation: Integrating 2D and 3D Assets

O'Hailey, Tina

ISBN 10: 0240812050 / ISBN 13: 9780240812052

Edité par Focal Press, 2010

A propos de cet article

Size: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Computers & Internet. ISBN: . ISBN/EAN: 9780240812052. All our pictures shown here are of the actual item, not stock photos. Inventory No: 25968: 202 For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.

N° de réf. du vendeur 25968

Détails bibliographiques

• Titre: Hybrid Animation: Integrating 2D and 3D Assets
• Éditeur: Focal Press
• Date de parution: 2010
• Langue: anglais
• ISBN à 10 chiffres: 0240812050
• ISBN à 13 chiffres: 9780240812052
• Reliure: Softcover (Stiff Card)
• Édition: First Edition.
• État de l'article: As New
• État de la jaquette: No Dust Jacket
• Catalogues du vendeur:
  • Art & Design

A propos de ce titre

Synopsis

Artist imaginations continue to grow and stretch the boundaries of traditional animation. Successful animators adept and highly skilled in traditional animation mediums are branching out beyond traditional animation workflows and will often use multiple forms of animation in a single project. With the knowledge of 3D and 2D assets and the integration of multiple animation mediums into a single project, animators have a wealth of creative resources available for a project that is not limited to a specific animation medium, software package or workflow processs. Enhance a poignant scene by choosing to animate the scenic background in 2D while the main character is brought to life with 3D techniques. Balance the budget demands of a project by choosing to integrate a 2D or 3D asset to save time and expense. Choose which medium Hybrid Animation, learn the systematic development of the 2D and 3D assets and the issues surrounding choices made during the creative process.

À propos de l?auteur

Tina O'Hailey is a professor of Animation at Savannah College of Art and Design. Having worked as an artisitc trainer for Electronic Arts, Walt Disney Feature Animation and Dreamworks Animation, she has extensive experience in feature animation and game development.
She has trained artists and worked on many animated films including Brother Bear (2003), Lilo and Stitch (2003), Mulan (1998) and Prince of Egypt (1998). She is the author of Hybrid Animation published by Focal Press.