INTERIOR LANDSCAPES; GARDENS AND THE DOMESTIC ENVIRONMENT.

Rees, Ronald.

ISBN 10: 0801844673 / ISBN 13: 9780801844676

Edité par Baltimore, MD and London: The Johns Hopkins University Press, 1993., 1993

A propos de cet article

First edition (not stated). xvi, 192 pages. Hardcover: H 25.75cm x L 18.25cm. Dust jacket rubbed with slight bumping at edges, a few negligibly short tears at top edge of rear panel. Black cloth spine with vibrant gilt stamping, dark olive green boards with bottom corners mildly bumped. Interior pages are bright and clean. Binding is firm. A very good+ copy in a very good dust jacket. With b/w frontispiece and illustrations, Acknowledgements, Introduction, Bibliography, and Index. features eight chapters titled as: "Palace and Villa," "Cloister and Castle," "Renaissance House and Garden," "Outlandish Landscapes," "The Neoclassical Landscape," "Nineteenth-Century Villas," "Gardens Indoors," and "Epilogue," ISBN 0801844673.

N° de réf. du vendeur PXZP-13581

Détails bibliographiques

• Titre: INTERIOR LANDSCAPES; GARDENS AND THE DOMESTIC ENVIRONMENT.
• Éditeur: Baltimore, MD and London: The Johns Hopkins University Press, 1993.
• Date de parution: 1993
• Langue: anglais
• ISBN à 10 chiffres: 0801844673
• ISBN à 13 chiffres: 9780801844676
• Reliure: Couverture rigide
• Édition: Edition originale
• État de la jaquette: Jaquette
• Catalogues du vendeur:
  • Architecture

A propos de ce titre

Synopsis

From classical times to modern, a chief objective of interior decoration has been to bring indoors the most pleasing features of the world outside. Dwellings were spartan even in classical Italy, and in northern regions they were cold, droughty, and damp. Garden scenes and summer landscapes painted on walls or floors enlivened these harsh interiors-and, when represented in fabric, warmed and softened them as well. "Interior Landscapes" chronicles this imaginative work of bringing the natural world indoors. Describing both the history of decoration and the history of changing tastes, Ronald Rees shows how gardens and landscapes have long been prominent motifs in the decorative arts. Gardens were so alive with symbolic meaning, and gave such pleasure to the close observer, that they were natural subjects for needleworkers. Tapestry makers and fresco painters, whose techniques lent themselves to much larger works, looked to the wider landscape for subjects. Rees explains how the "sister arts" of gardening, embroidery, and weaving - usually the responsibilities of women - exerted mutual influences so strong that the vocabulary of one craft often applied to the other. Divisions of ornamental gardens became known as "rooms", for example, with flowers arranged in "brocaded patterns". Needleworkers used the gardener's term for a graft cutting - a "slip" - for an embroidered leaf or flower that was to be cut out and sewn onto other material. This book presents a theory of interior decoration that takes the reader from the ancient Mediterranean to continental Europe, and from there to Britain and modern America. Eventually, abstraction and other influences would diminish the role of naturalism in interior design. But Rees finds that the old desire to bring the outside inside is still with us - from gleaming glass-walled buildings, where the lines between interior and exterior literally disappear, to that modern "grass analogue," shag carpeting. The author, Ronald Rees, has also published "Land of Earth and Sky: Landscape Painting of Western Canada" and "New and Naked Land: Making the Prairies Home".