La Jeune Parque (French-English Bilingual Edition)

Paul Valery; translated with introduction & notes by Alistair Elliot

ISBN 10: 1852243872 / ISBN 13: 9781852243876

Edité par Newcastle upon Tyne, Great Britain: Bloodaxe Books Ltd, 1997

A propos de cet article

Presumed first edition. "First published 1997" stated. No additional dates, editions or printings indicated. Fine if not new wraps/paperback. Virtually no signs of age/previous use.

N° de réf. du vendeur 101577

Détails bibliographiques

• Titre: La Jeune Parque (French-English Bilingual Edition)
• Éditeur: Newcastle upon Tyne, Great Britain: Bloodaxe Books Ltd
• Date de parution: 1997
• Langue: anglais
• ISBN à 10 chiffres: 1852243872
• ISBN à 13 chiffres: 9781852243876
• Reliure: Soft cover
• Édition: 1st Edition
• État de l'article: Fine
• État de la jaquette: No Jacket
• Catalogues du vendeur:
  • Poetry

A propos de ce titre

Synopsis

Paul Valéry (1871-1945) was a poet and essayist, and along with Verlaine and Mallarmé is regarded as one of the most important Symbolist writers, and an influence on poets from Eliot to Ashbery. He had a quiet life by many standards, but in one respect it was exemplary, even legendary; he made an early reputation in little magazines, decided to stop writing verse when still only 20, kept his silence for 20 years, then began again; and his first book of verse, published when he was 45, was his masterpiece La Jeune Parque.

'A poem should not mean, but be,' said Archibald MacLeish. La Jeune Parque ('the goddess of Fate as a young woman') certainly exists: she's beautiful and makes great gestures. And as for what she means, there's a substantial amount of argument about that, so La Jeune Parque is a poem by either definition. It's a classic, by general agreement, written to the full 17th-century recipe for alexandrine couplets, and it's modern, with every word pulling its weight in more than one direction.

Alistair Elliot's translation with notes is aimed at making this rewarding but difficult long poem accessible enough for bafflement to turn into admiration. He attempts to clarify its small puzzles and also trace the overall narrative line of Paul Valéry's poem: it does have a story (what should a young woman do?) and does struggle towards a resolution. He also provides an introduction which deals with the interesting circumstances of the poem s four-year composition (1913-17), which resulted in Valery's instantly becoming a famous poet at the age of 45, after having written no poetry for 20 years.

À propos de l?auteur

Paul Valéry (1871-1945) was a poet and essayist, and along with Verlaine and Mallarmé; is regarded as one of the most important Symbolist writers, and an influence on poets from Eliot to Ashbery. He had a quiet life by many standards, but in one respect it was exemplary, even legendary; he early made a reputation in little magazines, decided to stop writing verse when still only twenty, kept his silence for 20 years, then began again; and his first book of verse, published when he was 45, was his masterpiece La Jeune Parque. In 1920 he published Album de vers anciens, 1890-1920 (Album of Old Verses). His second collection of poetry, Charmes (Charms) appeared in 1922. Despite tremendous critical and popular acclaim, Valéry again put aside writing poetry. In 1925 he was elected to the Académie Française. He spent the remaining twenty years of his life on frequent lecture tours in and out of France, and writing numerous essays on poetry, painting and dance. He was given a state funeral in July 1945. His journals were published in 29 volumes in 1945.