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Format is approximately 6 inches by 8.75 inches. 160 pages, plus covers. Illustrations. Footnotes. Cover has some wear, soiling and 'bubbling' of the clear plastic covering. Contents listed are: ONtoLOGIC, LOGIC, ANALOGIC, Zeno of Elea, Plato, Aristotle, Robert Grosseteste, James Joyce, Dante Alighieri, Black Elk, Michael Maier, Carl Gustav Jung, G. Spencer Brown, Gertrude Stein, Kenneth Burke, and CATALOGUE. James Reineking (October 6, 1937 in Minot, North Dakota - August 25, 2018) was an American sculptor. In 1967 he graduated with a Master of Fine Arts. He taught at various American universities and went to New York in 1970. He has lived permanently in Germany since 1980. From 1990 to 2003 he was a professor of sculpture at the Academy of Fine Arts in Munich. As early as 1970 he exhibited at the San Francisco Museum of Modern Art and in 1972 at the Whitney Biennale, New York. In 1977 Reineking was invited to the Skulptur.Projekte in Münster and to documenta 6 in Kassel. He had his first major institutional solo exhibitions in 1980 at the Baxter Art Gallery, Pasadena, and together with the American painter Robert Mangold at the Kunsthalle Bielefeld. Numerous participations in exhibitions have followed - California, Dublin, Aalborg, Brussels and Humlebaek - in Germany, including the Kunsthalle Hamburg, the Wilhelm Lehmbruck Museum, the Kunsthalle Bremen, and the Wilhelm -Hack-Museum, the 37th annual exhibition of the Deutscher Künstlerbund in the Kunsthalle zu Kiel, in the Museum St. Wendel, in the Kunsthalle Mannheim, and in the Haus der Kunst. Reineking regards his sculpture as a form of discourse in which TIME and PLACE are members of a metonymic relationship. Luigi Ballerini (born 1940, Milan) is an Italian writer, poet, and translator. Luigi Ballerini was born in Milan and grew up in the district of Porta Ticinese. Since 2010, he has divided his time between New York, Milan, and Otranto. He studied literature at the Università Cattolica in Milan, lived for a time in London, and graduated from Bologna with a thesis on the American writer, Charles Olson. His first poems, Inno alla terra, debuted in Inventario in 1960. In 1963, he began working on the editorial staff of Rizzoli, sending to print the Italian translation of Foucault's Madness and Civilization. In 1965, he moved to Rome, where he met neo-experimental artists and poets such as Adriano Spatola, Giulia Niccolai, Nanni Cagnone, Eliseo Mattiacci, Magdalo Mussio, Emilio Villa, Alfredo Giuliani, Giovanna Sandri and, in particular, Elio Pagliarani, with whom he became a collaborator. Through Pagliarani, he met the founder of publisher Marsilio Editori, Cesare De Michelis, with whom he maintained a deep friendship. Through Marsilio, he published his first volume of literary criticism (Ila piramide capovolta, 1975), La sacra Emilia, an anthology of selected poetry by Gertrude Stein, which he translated himself, and several poetry collections (Il terzo gode, 1993, and the reissue of Cefalonia 1943-2001, in 2013). Meanwhile, he wrote book reviews in the newspapers Avanti! and l'Unità, and the journal Rinascita; he taught in secondary schools; and he translated American critics and writers such as Lionel Abel, Leslie Fiedler, Herman Melville, Benjamin Franklin, James Baldwin, and Henry James. In 1971, for the publisher Guanda, he translated Kora in Hell by William Carlos Williams. Balleriniana, a collection of essays, reminiscences, anecdotes, and other writings dedicated to Ballerini and his work, edited by Giuseppe Cavatorta and Elena Coda, was published in honor of his seventieth birthday. In 1975, in New York, Ballerini founded OOLP (Out of London Press), with which he published titles dedicated to art criticism and research poetry.[22] In 1988, he was Marsilio's editor for the United States, and in 2003, with ambassador Gianfranco Facco-Bonetti, head of cultural services of Italy's Ministry of Foreign Affairs, he created the Lorenzo Da Ponte Italian Library â " a seri.
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