First edition. Fine hardcover with light rubbing to the bottom edges of the boards; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. In Wild Style, the subject of animals and their contemporary depiction take centre stage. With their humorous approach, Mazaccio & Drowilal illustrate how the depiction of animals and the distribution thereof via various media are indicative of our relationship with consumer goods as well as with nature. The work is the result of a three-month residency at the Musee Nicephore Niepce, Chalon-sur-Saone, France. Photographs by Mazaccio & Drowilal (Elise Mazac and Robert Drowilal); essays by Francois Cheval and Nicolas Heimendinger & Fani Morieres; foreword by Serge Naudin. 96 pages; 65 color plates + b&w text illustrations; 8.25 x 10 inches. Text in English and French. LAID-IN is a 6.25 x 8.75-inch 12-page pamphlet with 6 color illustrations, titled "Le Meilleur Ami du Chien," that folds out to a poster 37.5 x 8.75 inches. On the back is a caption list for the both the book and the poster.

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D�tails bibliographiques

Titre

Mazaccio & Drowilal: Wild Style, Residence BMW au musee Nicephore Niepce

�diteur

Trocadero Editions, Paris

Date de parution

2014

Langue

fran�ais

ISBN � 13 chiffres

9791092102093

Reliure

Hardcover

�dition

Edition originale

Catalogues du vendeur

Photography

A propos de ce titre

� propos de l?auteur

Elise Mazac, alias Mazaccio, est n�e en 1988 � Villefranche-de-Rouergue. Elle a �tudi� � l'Ecole nationale des beaux-arts de Paris, en faisant un d�tour par la School of Visual Arts � New York. Robert Drowilal est n� � Rodez en 1986. Il a �tudi� � l'�cole de beaux arts de Nantes et � l'�cole cantonale d'art de Lausanne. D�s leur rencontre en 2006, leur complicit� a �t� imm�diate. inspir�s tous deux par l'art conceptuel, le cin�ma, la photographie am�ricaine et japonaise, ils prennent un vrai plaisir � concevoir ensemble leurs oeuvres et s'associent. Ils pratiquent la photographie en duo, autant pour la prise de vue que pour la s�lection des images. Leurs photographies ne s'attachent pas seulement � d�crire un lieu ou des sujets sp�cifiques, elles sont aussi un mode d'�criture qui leur permet de semer le trouble entre le r�el et sa repr�sentation. Leurs exp�riences respectives du collage et du photomontage ainsi que les cultures num�riques ont largement influenc� leur approche du m�dium photographique.

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

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