Mnemosyne: The Parallel Between Literature and the Visual Arts [The A.W. Mellon Lectures in the Fine Arts, 1967, The National Gallery of Art, Washington, D.C.; Bollingen Series - XXXV, 16, Princeton]

Praz, Mario; Mario Praz

ISBN 10: 0691098573 / ISBN 13: 9780691098579

Edité par Princeton University Press, Princeton, NJ, 1970

A propos de cet article

261 + xv pp. A great, almost spotlessly clean copy and dust jacket! Solidly and tightly bound, essentially and nearly flawless copy and dust jacket with minimal internal and external wear and use. Copy with crisp glossy pages, spotlessly clean text, and light shelf wear. Relevant newspaper articles placed by previous owner included. Smooth covers. Dust jacket shows minimal, minor or light wear around edges.

N° de réf. du vendeur 4iiiAa0049

Détails bibliographiques

• Titre: Mnemosyne: The Parallel Between Literature and the Visual Arts [The A.W. Mellon Lectures in the Fine Arts, 1967, The National Gallery of Art, Washington, D.C.; Bollingen Series - XXXV, 16, Princeton]
• Éditeur: Princeton University Press, Princeton, NJ
• Date de parution: 1970
• Langue: anglais
• ISBN à 10 chiffres: 0691098573
• ISBN à 13 chiffres: 9780691098579
• Reliure: Hardcover
• Illustrateur: P.J. Conkwright (Jacket Design)
• Édition: Copyright © 1970 by the Trustees of the
• État de l'article: Very Good
• État de la jaquette: Very Good

A propos de ce titre

Synopsis

The classic study of the timeless relationship between literature and the visual arts

In his search for a common link between literature and the visual arts, Mario Praz draws on the abundant evidence of mutual understanding and correspondence they have long shared. Each epoch, he writes, has “its peculiar handwriting or handwritings, which, if one could interpret them, would reveal a character, even a physical appearance,” and while these characteristics belong to the general style of a given period, the personality of the writer does not fail to pierce through. Something of the same sort, Praz contends, occurs in art. The kinship of literature and painting rests on this: a work of art, whether visual or literary, must use the distinctive “handwriting” of its particular age even as its originality pierces through this handwriting.

In this beautifully illustrated book, Praz shows how the likeness between the arts within various periods of history can ultimately be traced to structural similarities―similarities that arise out of the characteristic way in which the people of a certain epoch see and memorize facts aesthetically. Mnemosyne, at once the goddess of memory and the mother of the muses, therefore presides over this view of the arts. In illustrating her influence, Praz ranges widely through Western sources, providing an incomparable tour of the literary and pictorial arts.

À propos de l?auteur

Mario Praz (1896–1982) was professor emeritus of English language and literature at the University of Rome. His books include The Romantic Agony, Studies in Seventeenth-Century Imagery, and The Flaming Heart.