Monkeys in the Dark

d'Alpuget, Blanche

ISBN 10: 0140061304 / ISBN 13: 9780140061307

Edité par Penguin Books, Ringwood, 1982

A propos de cet article

Fiction by Blanche d'Alpuget. Front cover blurb: "A passionate novel by the author of Turtle Beach". Cover illustration by Mike Hollands. First published 1980, this copy is the first Penguin edition, 1982. Mass market paperback. Printed in Hong Kong. Slight handling wear, bookseller's small label to first page, otherwise a nice clean tight solid softcover copy. 176pp. SB-82.

N° de réf. du vendeur 034809

Détails bibliographiques

• Titre: Monkeys in the Dark
• Éditeur: Penguin Books, Ringwood
• Date de parution: 1982
• Langue: anglais
• ISBN à 10 chiffres: 0140061304
• ISBN à 13 chiffres: 9780140061307
• Reliure: Pictorial Wraps
• Édition: First Thus
• État de l'article: Very Good
• Catalogues du vendeur:
  • Fiction

A propos de ce titre

Présentation de l'éditeur

An exceptional portrayal of life and love in Indonesia among foreign residents after the 1965 coup. Alexandra Wheatfield, a young journalist, has come to work in the Australian Embassy in Djakarta at a time of chaotic change: the coup of 1965 has been crushed, but the Indonesian Army has not yet overthrown the revered President Sukarno. Sukarno has warned that without him the people will bring anarchy upon themselves, like 'monkeys in the dark'. The privileged Australian diplomats view this scene with benign contempt. The problem of security officer Frank Greaves and his protÚgÚ, Anthony Sinclair, is to find new sources of information and power in the crumbling and corrupt city. But Alex sets her mind to a different task, attracting the affections of Maruli Hutabarat, an Indonesian poet who is in hiding for publicly supporting Sukarno's regime. Sexual tensions blaze, and Alex believes that she might have come to understand the deeply sensual but cruel city. However, neither her love nor her wit can protect Alex against the demands of two conflicting societies. How deep a betrayal might people be willing to perform in the name of politics, and how brutal a sacrifice might one have to make in the name of 'security'?