Monstrous Opera: Rameau and the Tragic Tradition

Dill, Charles; Dill, Charles William

ISBN 10: 0691044430 / ISBN 13: 9780691044439

Edité par Princeton Univ Pr, Ewing, New Jersey, U.S.A., 1998

A propos de cet article

An examination of one of the foremost composers of the French Baroque operatic tradition. Some small indentations to the DJ visible when viewed at an oblique angle. A very good copy.

N° de réf. du vendeur 001684

Détails bibliographiques

• Titre: Monstrous Opera: Rameau and the Tragic Tradition
• Éditeur: Princeton Univ Pr, Ewing, New Jersey, U.S.A.
• Date de parution: 1998
• Langue: anglais
• ISBN à 10 chiffres: 0691044430
• ISBN à 13 chiffres: 9780691044439
• Reliure: Hardcover
• Illustrateur: ~
• Édition: First Edition
• État de l'article: Fine
• État de la jaquette: Very Good

A propos de ce titre

Synopsis

One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music, Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than a musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous - using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placat

Présentation de l'éditeur

One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy