Synopsis
Modern American poets translate classical Chinese poetry. The New Directions Anthology of Classical Chinese Poetry is a rich compendium of translations like no other. It is the first to look at Chinese poetry through its enormous influence on American poetry, starting with Ezra Pound's Cathay (1915), and including translations by three other major US poets (William Carlos Williams, Kenneth Rexroth, Gary Snyder) and an important poet-translator-scholar (David Hinton), all of whom have long been associated with New Directions. Moreover, it is the first general anthology ever to consider the process of translation by presenting different versions of the same poem by various translators, as well as examples of the translators rewriting themselves. The collection, at once playful and instructive, serves as an excellent introduction to the art and tradition of Chinese poetry, gathering some 250 poems by nearly 40 poets, from the anonymous early poetry through the great masters of the T'ang and Sung dynasties. The anthology also includes previously uncollected translations by Pound, a selection of essays on Chinese poetry by all five translators, some never published before in book form, and biographical notes that are a collage of poems and comments by both the American translators and the Chinese poets themselves.
À propos des auteurs
Eliot Weinberger’s books of literary essays include Karmic Traces, An Elemental Thing, The Ghosts of Birds, and Angels & Saints. His political writings are collected in What I Heard About Iraq and What Happened Here: Bush Chronicles. The author of a study of Chinese poetry translation, 19 Ways of Looking at Wang Wei, he is a translator of the poetry of Bei Dao and the editor of The New Directions Anthology of Classical Chinese Poetry. He was formerly the general editor of the series Calligrams: Writings from and on China and the literary editor of the Murty Classical Library of India. Among his many translations of Latin American poetry and prose are The Poems of Octavio Paz, Paz’s In Light of India, Vicente Huidobro’s Altazor, Xavier Villaurrutia’s Nostalgia for Death, and Jorge Luis Borges’ Seven Nights and Selected Non-Fictions. He has been publishing with New Directions since 1975.
Besides being a practicing physician, William Carlos Williams (1883–1963) was a poet, short-story writer, novelist, translator, playwright, and essayist whose contribution to the development of modern American poetry grew out of his commitment to recording the "local" experience of Rutherford, New Jersey, and its environs.
DAVID HINTON’s original Selected Poems of Tu Fu was the first full-length verse translation of Tu Fu published in America. The author also of singular books of essays and poetry, Hinton has been awarded a Guggenheim Fellowship, numerous N.E.A. and N.E.H fellowships, both major awards given for poetry translation in the United States, and a lifetime achievement award by The American Academy of Arts and Letters.
New Directions has been the primary publisher of Ezra Pound in the U.S. since the founding of the press when James Laughlin published New Directions in Prose and Poetry 1936. That year Pound was fifty-one. In Laughlin’s first letter to Pound, he wrote: “Expect, please, no fireworks. I am bourgeois-born (Pittsburgh); have never missed a meal. . . . But full of ‘noble caring’ for something as inconceivable as the future of decent letters in the US.” Little did Pound know that into the twenty-first century the fireworks would keep exploding as readers continue to find his books relevant and meaningful.
Poet-essayist Kenneth Rexroth (1905-1982) was a high-school dropout, disillusioned ex-Communist, pacifist, anarchist, rock-climber, critic and translator, mentor, Catholic-Buddhist spiritualist and a prominent figure of San Francisco's Beat scene. He is regarded as a central figure of the San Francisco Renaissance and is among the first American poets to explore traditional Japanese forms such as the haiku.
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