As Painting: Division and Displacement

Sherri Geldin, Philip Armstrong, Laura Lisbon, Stephen Melville. Artists: Mel Bochner, Daniel Buren, Donald Judd, Sherrie Levine, Agnes Martin, Gerhard Richter, et al.

ISBN 10: 0262011832 / ISBN 13: 9780262011839

Edité par Columbus, OH: Wexner Center for the Arts, and London, Cambridge, MA: The MIT Press, 2001

A propos de cet article

[PAINTING]. Sherri Geldin, Philip Armstrong, Laura Lisbon, Stephen Melville. Artists: Mel Bochner, Daniel Buren, Donald Judd, Sherrie Levine, Agnes Martin, Gerhard Richter, et al. "As Painting: Division and Displacement." Columbus, OH: Wexner Center for the Arts, and London, Cambridge, MA: The MIT Press, 2001. First edition. English language. Hardcover with black cloth boards with spine stamped silver in pictorial dust jacket. Nonfiction art exhibition catalog with critical texts and numerous full-color and black-and-white illustrations. 9 1/4 x 8 1/4 inches. 37 oz. xvii, 262 pp. Light toning to interior. Text clean. New to Fine in New jacket. ISBN: 9780262011839. "'As Painting,' which accompanies an exhibition of the same name at the Wexner Center for the Arts, offers thought-provoking new perspectives on the evolution of painting in the United States and Europe since the mid-1960s. It illuminates the flexible boundaries of what can be seen or interpreted 'as painting' and that medium's interrelationships with sculpture, photography, and installation, highlighting points of convergence and divergence.".

N° de réf. du vendeur 01746

Détails bibliographiques

• Titre: As Painting: Division and Displacement
• Éditeur: Columbus, OH: Wexner Center for the Arts, and London, Cambridge, MA: The MIT Press
• Date de parution: 2001
• Langue: anglais
• ISBN à 10 chiffres: 0262011832
• ISBN à 13 chiffres: 9780262011839
• Reliure: Hardcover
• Édition: First Edition.
• État de l'article: Fine.
• État de la jaquette: New
• Catalogues du vendeur:
  • Painting

A propos de ce titre

Synopsis

How and why painting still matters.

As Painting, which accompanies an exhibition of the same name at the Wexner Center for the Arts, offers thought- provoking new perspectives on the evolution of painting in the United States and Europe since the mid-1960s. It illuminates the flexible boundaries of what can be seen or interpreted "as painting" and that medium's interrelationships with sculpture, photography, and installation, highlighting points of convergence and divergence. The featured artists include such major figures as Daniel Buren, Donald Judd, Imi Knoebel, Sherrie Levine, Agnes Martin, Gerhard Richter, Robert Ryman, and Robert Smithson, as well as artists who are much less known, at least in the United States. Pivotal to the discussion is the work of a number of significant but relatively unfamiliar French painters, including Martin Barré, Christian Bonnefoi, Simon Hantaï, Michel Parmentier, and François Rouan. The book serves as an introduction to their work while providing fresh interpretations of the more familiar artists. Also highlighted are several artists not usually thought of as "painters," among them Polly Apfelbaum, Mel Bochner, Judd, Smithson, Anne Truitt, and James Welling. The book features two extended essays, detailed commentaries on each of the twenty-six artists in the exhibition, and fourteen additional essays by artists and commentators noted for their engagement with the issues raised here. These include a commentary on Simon Hantaï by Alfred Pacquement, Director of the Centre Georges Pompidou in Paris; original essays by French critics Catherine Millet and Christian Prigent; interviews with artists Martin Barré and Mel Bochner; and a little-known set of notes by Jacques Lacan on the painting of François Rouan. Exhibition Information Wexner Center for the ArtsOhio State UniversityColumbus, OhioMay 11-August 12, 2001

À propos de l?auteur

Philip Armstrong is Senior Lecturer in Comparative Studies in the Humanities at Ohio State University.

Laura Lisbon is a painter and Associate Professor of Art at Ohio State University.

Stephen Melville is Professor of the History of Art at Ohio State University.