Painting out of the Ordinary: Modernity and the Art of Everyday Life in Early Nineteenth-Century Britain

David H. Solkin

ISBN 10: 0300140614 / ISBN 13: 9780300140613

Edité par For Paul Mellon Centre for Studies in British Art By Yale University Press, 2008

A propos de cet article

**While a "stock image" supplied by AbeBooks of the front panel of the dust jacket appears at left, please be advised that my copy lacks the dust jacket.** Binding has light wear and minor soil; corners bumped; top corner of the half-title page has a small red heart stamp; title page has light soil; tight, text clean. ix, [1], 270 p. Large, heavy volume, which will cost more to mail outside the United States than is specified by the shipping matrix. [otob: 54r].

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Détails bibliographiques

• Titre: Painting out of the Ordinary: Modernity and the Art of Everyday Life in Early Nineteenth-Century Britain
• Éditeur: For Paul Mellon Centre for Studies in British Art By Yale University Press
• Date de parution: 2008
• Langue: anglais
• ISBN à 10 chiffres: 0300140614
• ISBN à 13 chiffres: 9780300140613
• Reliure: Hardcover
• Édition: 1st Edition
• État de l'article: Very Good
• État de la jaquette: No Jacket

A propos de ce titre

Synopsis

At the height of the Napoleonic Wars, London's art world was taken by storm by a new generation of painters, whose novel approach to the depiction of everyday life critics loudly trumpeted as a sign of the nation's cultural pre-eminence. Led by the precociously talented David Wilkie, this highly successful artistic movement sought to transform what was generally regarded as a low and vulgar pictorial tradition, with its roots in seventeenth-century Flanders and Holland, into a vehicle for entertaining but improving narratives which would set new standards of truthfulness in their imitation of nature. But on a deeper level, as David Solkin shows in this provocative yet highly accessible study, the same phenomenon also registered the profoundly ambivalent feelings of a country in the throes of accelerating economic growth, and of conflict both at home and abroad. What emerges from the imagery of Wilkie and his colleagues - among them William Mulready, Edward Bird and the controversial watercolourist Thomas Heaphy - is a widespread sense that the ordinary lives of the common people are becoming increasingly bound up with the exceptional events of history; that traditional boundaries between country and city are in the process of melting away; and that a more regularised and dynamic present is everywhere encroaching upon the customary patterns of the past. In its fascination with the compression of space and time, early nineteenth-century British genre painting locates itself at the start of a trajectory linking the art of the Age of Revolution with the postmodern culture of the present day. With its plethora of illustrations, many of works published here for the first time, Painting Out of the Ordinary will be compulsory reading for anyone interested in British art and society of the Romantic era.

À propos de l?auteur

David Solkin is Professor of the Social History of Art, Courtauld Institute of Art. He is the author of Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England and the co-author and editor of Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836, both published by Yale University Press.