The Plenitude - Creativity, Innovation, and Making Stuff

Gold, Rich

ISBN 10: 0262072890 / ISBN 13: 9780262072892

Edité par MIT Press, Cumberland, Rhode Island, U.S.A., 2007

A propos de cet article

New. Unread. In fine condition. Text clean, binding strong. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.].

N° de réf. du vendeur 023680

Détails bibliographiques

• Titre: The Plenitude - Creativity, Innovation, and Making Stuff
• Éditeur: MIT Press, Cumberland, Rhode Island, U.S.A.
• Date de parution: 2007
• Langue: anglais
• ISBN à 10 chiffres: 0262072890
• ISBN à 13 chiffres: 9780262072892
• Reliure: Hard Cover with Jacket
• Édition: First Edition.
• État de l'article: Fine (Book Condition)
• État de la jaquette: Fine (Jacket Condition)
• Type de livre: Book
• Catalogues du vendeur:
  • Cultural Studies
  • Essays, Occasional Prose, Interviews
  • Autobiography, Memoirs & Journals

A propos de ce titre

Synopsis

Lessons from and for the creative professions of art, science, design, and engineering: how to live in and with the Plenitude, that dense, knotted ecology of human-made stuff that creates the need for more of itself.

We live with a lot of stuff. The average kitchen, for example, is home to stuff galore, and every appliance, every utensil, every thing, is compound—composed of tens, hundreds, even thousands of other things. Although each piece of stuff satisfies some desire, it also creates the need for even more stuff: cereal demands a spoon; a television demands a remote. Rich Gold calls this dense, knotted ecology of human-made stuff the "Plenitude." And in this book—at once cartoon treatise, autobiographical reflection, and practical essay in moral philosophy—he tells us how to understand and live with it.

Gold writes about the Plenitude from the seemingly contradictory (but in his view, complementary) perspectives of artist, scientist, designer, and engineer—all professions pursued by him, sometimes simultaneously, in the course of his career. "I have spent my life making more stuff for the Plenitude," he writes, acknowledging that the Plenitude grows not only because it creates a desire for more of itself but also because it is extraordinary and pleasurable to create.

Gold illustrates these creative expressions with witty cartoons. He describes "seven patterns of innovation"—including "The Big Kahuna," "Colonization" (which is illustrated by a drawing of "The real history of baseball," beginning with "Play for free in the backyard" and ending with "Pay to play interactive baseball at home"), and "Stuff Desires to Be Better Stuff" (and its corollary, "Technology Desires to Be Product"). Finally, he meditates on the Plenitude itself and its moral contradictions. How can we in good conscience accept the pleasures of creating stuff that only creates the need for more stuff? He quotes a friend: "We should be careful to make the world we actually want to live in."

À propos de l'auteur

Rich Gold (1950-2003) was an artist, composer, designer, inventor, lecturer, and writer. Equally at home in the worlds of avant-garde art, academia, and business, he worked at various times for Sega, Mattel, and Xerox PARC.

An internationally recognized leader at the intersection of design and technology, John Maeda is Executive Vice President/Chief Experience Officer at Publicis Sapient. He was the 16th President of the Rhode Island School of Design (RISD). He is the author of Design by Numbers, The Laws of Simplicity, and Redesigning Leadership, all published by The MIT Press.