Primitivism, Cubism, Abstraction: The Early Twentieth Century (Modern Art: Practices and Debates)

Perry, Gill; Frascina, Francis; Harrison, Charles

ISBN 10: 0300055161 / ISBN 13: 9780300055160

Edité par Yale University Press, 1994

A propos de cet article

Has some corrections from the earlier editions noted on copyright page. Fine, bright with no markings or noticeable wear - looks new. Fully illustrated in color and academic work. Very nice reference.

N° de réf. du vendeur 054392

Détails bibliographiques

• Titre: Primitivism, Cubism, Abstraction: The Early Twentieth Century (Modern Art: Practices and Debates)
• Éditeur: Yale University Press
• Date de parution: 1994
• Langue: anglais
• ISBN à 10 chiffres: 0300055161
• ISBN à 13 chiffres: 9780300055160
• Reliure: Soft cover
• Édition: 1st Edition
• État de l'article: As New

A propos de ce titre

Synopsis

This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian.

À propos de l?auteur

Francis Frascina and Gill Perry are Lecturers in Art History, Nigel Blake is Lecturer in Educational Technology, and Charles Harrison is Staff Tutor and Reader in Art History at the Open University. Briony Fer and Tamar Garb are Lecturers in Art History at University College, London University.