Real/Ideal: Photography in Mid-Nineteenth-Century France

Hellman, Karen (Edited by)

ISBN 10: 1606065106 / ISBN 13: 9781606065105

Edité par J. Paul Getty Museum, Los Angeles, 2016

A propos de cet article

Cloth, 226 pages, illustrations; 30 cm. Published on the occasion of the exhibition Real/Ideal: Photography in France, 1847-1860, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from August 30 to November 27, 2016. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Accompanies an exhibition at the Getty Center in Los Angeles and explores the early history of photography in France, focusing on the photographers who worked with paper negatives, in particular E douard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Negre." - Publisher. *** CONTENTS: Real/ideal: mid-nineteenth-century French photography, by Karen Hellman; The introduction of negative-positive photography in France, 1843-60, by Anne de Mondenard; A bourgeois ambition: photography and the Salon des beaux-arts during the Second Empire, by Paul-Louis Roubert; A "fashionable" art: the first golden age of photography in France, by Sylvie Aubenas; The art and science of the paper negative, by Sarah Freeman. Size: 4to.

N° de réf. du vendeur 107818

Détails bibliographiques

• Titre: Real/Ideal: Photography in Mid-Nineteenth-Century France
• Éditeur: J. Paul Getty Museum, Los Angeles
• Date de parution: 2016
• Langue: anglais
• ISBN à 10 chiffres: 1606065106
• ISBN à 13 chiffres: 9781606065105
• Reliure: Hardcover
• Édition: 1st.
• État de l'article: Fine
• État de la jaquette: Fine
• Type de livre: Collectible
• Catalogues du vendeur:
  • European::French
  • European::7. Late 19th Century
  • New Books
  • Photography::History
  • XXX::COLLECTIBLES
  • XXL::Extra Extra Large

A propos de ce titre

Synopsis

In the years following the announcement of the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more standardized equipment and photomechanical technology in the 1860s.

The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures Édouard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Nègre, Real/Ideal explores photography's status as either fine art or industrial product (or both), its repertoire of subject matter, its ideological functions, and even the ever-experimental photographic process itself.

À propos de l?auteur

Karen Hellman is assistant curator of photographs at the J. Paul Getty Museum.

Sylvie Aubenas is the director of the Department of Photographs and Prints at the Bibliothèque nationale de France, Paris.

Sarah Freeman is associate conservator of paper conservation at the J. Paul Getty Museum.

Anne de Mondenard is curator at the Centre de recherché et de restauration des musées de France, Paris.

Karlyn Olvido is a former research assistant at the J. Paul Getty Museum.

Paul-Louis Roubert is assistant professor at Université Paris 8 and president of the Société française de la photographie, Paris.