The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic (Cambridge Studies in Renaissance Literature and Culture 6)

Gregerson, Linda

ISBN 10: 0521462770 / ISBN 13: 9780521462778

Edité par Cambridge University Press, Cambridge New York Melbourne, 1995

A propos de cet article

281pp., xi. Stated: "First published 1995". Works cited, pp. 263-275; Index, pp. 277-281. Black boards with brilliant gilt on spine. Dustwrapper not price-clipped (no price) with full front cover illustration in shades of brown and gray, "drawing of a seated female nude" [resembling an ancient Greek or Roman figure] by Hendrick Groltzius; translucent gray title box with white lettering superimposed at top left front cover. Hint of horizontal soft creases across top edge of front and rear covers (dw trivially riding too high on boards), else unqualifiedly As New, like artifact itself: Now in Brodart mylar which forgives peccadilloes graciously. (No previous owner names; no remainder marks. Clean text.) UNREAD.

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Détails bibliographiques

• Titre: The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic (Cambridge Studies in Renaissance Literature and Culture 6)
• Éditeur: Cambridge University Press, Cambridge New York Melbourne
• Date de parution: 1995
• Langue: anglais
• ISBN à 10 chiffres: 0521462770
• ISBN à 13 chiffres: 9780521462778
• Reliure: Hardcover
• Édition: 1st Edition
• Impression: 1st Printing
• État de l'article: As New
• État de la jaquette: As New

A propos de ce titre

Synopsis

The Faerie Queene and Paradise Lost, as defining monuments of English epic in an iconoclastic age.

Présentation de l'éditeur

The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.