Rock Art and Posterity: Conserving, Managing and Recording Rock Art, Proceedings of Symposium M, "Conservation and Site Management" and Symposium E, Darwin in 1988 (Occasional AURA Publication No. 4)

Colin Pearson ; B. K. Swartz, Jr. ; Robert Bednarik (editors)

ISBN 10: 064603751X / ISBN 13: 9780646037516

Edité par Australian Rock Art Research Association, 1991

A propos de cet article

CONTENTS: Site management in Kakadu and Uluru National Parks; Conservation and protection within the American Rock Art Research Association; Le grotte des Combarelles I aux Eyzies amenagement at contact direct du public, avec les oeuvres parietales; From ashes to gravestones: the charcoal drawings or Gua Badak, Malaysia; Conservation of Indian rock art; Aboriginal art sites near Adelaide, South Australia; Flinden, Group National Park site management: regional cultural resource evaluation preservation and selective presentation in far north Queensland; Mt. Cameron West Rock Art Protection Project an assessment of the conservation program undertaken to June 1988; Padjari Manu (formerly Bunbury) Cave, North West Cape, Western Australia planning for tourism; Les grottes des Combarelles (Les Eyzies, France): apports de la connaissance de l' environment a la conservation des gravures; The Paroong Cave Preservation Project; The: removal of recent overpaint from the image of Bunjil; Pigment composition of post-estuarine rock art Kakadu National Park; Chemistry of deterioration of post-estuarine rock art in Kakadu National Park; Yiwalalay an assessment of the current state of preservation and recommendations for the future of conservation; On some none technical issues of conservation; Training for rock art conservation recent initiatives of the Getty Conservation Institute; Graduate Diploma in Conservation of Rock Art: a joint project between the Canberra College of Education and The Getty Conservation Institute; Cleggnotes on recording prehistoric pictures; The management of recording procedures in the preservation of petroglyph resources; Standardisation in rock art terminology; Archival storage, digital enhancement and global transmission of rock art photographs a practicable design from existing technology; Petroglyphs: from tridimensional recording in the field to computerised filing; Getting organised: recording of Aboriginal art sites in Queensland. Australia; A comparative study of two prehistoric artistic recording localities; A rock art replica at the Southwest Museum: a step toward preservation; Multidimensional scaling in rock art studies two California examples.

N° de réf. du vendeur 000639

Détails bibliographiques

• Titre: Rock Art and Posterity: Conserving, Managing and Recording Rock Art, Proceedings of Symposium M, "Conservation and Site Management" and Symposium E, Darwin in 1988 (Occasional AURA Publication No. 4)
• Éditeur: Australian Rock Art Research Association
• Date de parution: 1991
• Langue: anglais
• ISBN à 10 chiffres: 064603751X
• ISBN à 13 chiffres: 9780646037516
• Reliure: Soft cover
• Édition: 1st Edition
• État de l'article: Near Fine
• Poids: 2 livres

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Synopsis

PEARSON, C. / B. K. SWARTZ, JR., EDS. ROCK ART AND POSTERITY. CONSERVING, MANAGING AND RECORDINGROCK ART. PROCEEDINGS OF SYMPOSIUM M. "CONSERVATION AND SITE MANAGMENT", AND SYMPOSIUM E. "RECORDING AND STANDARDISATION IN ROCK ART STUDIES" OF THE FIRST AURA CONGRESS HELD IN DARWIN IN 1988 . MELBOURNE, FL, 1991, vi 154 p.,fotografias. Encuadernacion original. Nuevo.