The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics)

Bourdieu, Pierre; Emanuel, Susan [Translator]

ISBN 10: 0804725683 / ISBN 13: 9780804725682

Edité par Stanford University Press, 1996

A propos de cet article

1st printing of 1st English-language edition. Very good hardcover with good+/very good- DJ, from a personal collection (NOT ex-library). Interior appears free of markings. Binding is tight, sturdy, and square. Top outer corner has a small spot of sun-fading. Unclipped dust jacket has rubbing and a quarter-inch closed tear at edge. Ships from Dinkytown in Minneapolis, Minnesota.

N° de réf. du vendeur 305457

Détails bibliographiques

• Titre: The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics)
• Éditeur: Stanford University Press
• Date de parution: 1996
• Langue: anglais
• ISBN à 10 chiffres: 0804725683
• ISBN à 13 chiffres: 9780804725682
• Reliure: Hardcover
• Édition: First Edition.
• État de l'article: Very Good
• État de la jaquette: Good+ Dust Jacket
• Poids: 25 onces
• Catalogues du vendeur:
  • Sociology

A propos de ce titre

Synopsis

Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection.

The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.

À propos de l?auteur

Pierre Bourdieu is Professor of Sociology at the Collège de France. Stanford University Press has published eight other books by Bourdieu, most recently Free Exchange, with Hans Haacke (Stanford, 1995).