Starfish (Rifters Trilogy). Cet article n’est pas disponible.Starfish (Rifters Trilogy)

A story of the not-too-distant future, and the exploitation of the geothermal resources of the deep Juan de Fuca Rift in the Pacific by multinational corporations. Unfortunately, all the volunteers who are surgically altered for employment at the bottom of the ocean are psychotic.

A huge international corporation has developed a facility along the Juan de Fuca Ridge at the bottom of the Pacific Ocean to exploit geothermal power. They send a bio-engineered crew–people who have been altered to withstand the pressure and breathe the seawater–down to live and work in this weird, fertile undersea darkness. Unfortunately the only people suitable for long-term employment in these experimental power stations are crazy, some of them in unpleasant ways. How many of them can survive, or will be allowed to survive, while worldwide disaster approaches from below? Watts is a Canadian science fiction author and marine-mammal biologist. His first novel Starfish was then followed with the sequels, behemoth: b-Max and behemoth: Seppuku. These comprise a trilogy usually referred to as “Rifters” after the modified humans designed to work in deep-ocean environments. Watts’ novel Blindsight was nominated for a 2006 Hugo Award, and has been described by Charles Stross; “Imagine a neurobiology-obsessed version of Greg Egan writing a first contact with aliens story from the point of view of a zombie posthuman crewman aboard a starship captained by a vampire, with not dying as the boobie prize.” Echopraxia, released in 2014 is a “sidequel” about events happening on Earth and elsewhere concurrent with the events in Blindsight. In addition to his novels and short stories, Watts has also worked in other media. He was peripherally involved in the early stages of the animated science fiction film and television project Strange Frame, and also worked briefly with Relic Entertainment on one of the early drafts of the story that would eventually, years later, become Homeworld 2. The creative director of Bioshock 2 has cited Watts’s work as an influence on that game.