Tomorrow in the Battle Think on Me

Marias, Javier

ISBN 10: 0151002762 / ISBN 13: 9780151002764

Edité par Harcourt Brace & Company, New York, USA, 1997

A propos de cet article

First American Edition, First Printing. This is a true first edition, first printing (first impression) with 'First Edition' and 'A' to the copyright page to indicate a true first print in a fine Dust Jacket. Uncommon book in fine condition. N° de réf. du vendeur 005786

Détails bibliographiques

Titre : Tomorrow in the Battle Think on Me

Éditeur : Harcourt Brace & Company, New York, USA

Date d'édition : 1997

Reliure : Hardcover

Etat : Fine

Etat de la jaquette : Fine

Edition : 1st Edition

A propos de ce titre

Synopsis :

Book by Marias Javier

Revue de presse:

"Stylish, cerebral...Marías is a startling talent...His prose is ambitious, ironic, philosophical, and ultimately compassionate." --The New York Times

"One of the writers who should get the Nobel Prize is Javier Marías." --Orhan Pamuk

“His prose demonstrates an unusual blend of sophistication and accessibility.” —The New Yorker

“Marías is one of the best contemporary writers.” —J. M. Coetzee

"By far Spain's best writer today." --Roberto Bolaño

"A great writer." --Salman Rushdie

"The most subtle and gifted writer in contemporary Spanish literature." --Boston Sunday Globe

"Marías is simply astonishing." --The Times Literary Supplement 

 “Javier Marías is such an elegant, witty and persuasive writer that it is tempting simply to quote him at length.” —The Scotsman

"Marías uses language like an anatomist uses the scalpel to cut away the layers of the flesh in order to lay bare the innermost secrets of that strangest of species, the human being." --W. G. Sebald

"His prose possesses an exquisite, almost uncanny observation, recreating moments and moods in hypnotic depth." --The Telegraph

“Javier Marías is a novelist with style . . . His readers enter, through him, a strikingly and disturbingly foreign world.” —Margaret Drabble

"A supreme stylist." --The Times

"Marías writes the kind of old-fashioned speculative prose we associate with Proust and Henry James. . . .  But he also deals in violence, historical and personal, and in the movie titles, politicians, and brand-names and underwear we connect with quite a different kind of writer." --The London Review of Books