Traditional Oil Painting: Advanced Techniques and Concepts from the Renaissance to the Present. Cet article n’est pas disponible.
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Langue : anglais
Edité par Watson-Guptill, 2007
- Éd. originale
- Livre relié
- Occasion

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- Titre
- Traditional Oil Painting: Advanced Techniques and Concepts from the Renaissance to the Present
- Auteur
- Elliott, Virgil
- Éditeur
- Watson-Guptill
- Année de publication
- 2007
- État de l'article
- Satisfaisant
- Reliure
- Couverture rigide
- Langue
- anglais
- ISBN à 10 chiffres
- 0823030660
- ISBN à 13 chiffres
- 9780823030668
- Édition
- Edition originale
- Poids de l'article
- 1 315 grammes
- Dimensions
- 23,37 centimètres de largeur par 28,7 centimètres de hauteur par 2,03 centimètres de profondeur
As more and more artists today look to the past, there has been a tremendous resurgence of interest in painting realisticallyin creating convincing illusions of three-dimensional depth on two dimensional surfaces. How did the Old Masters create their masterpieces? What kind of education allowed these great artists to create such beautiful work, and how can an artist learn these lessons today? Traditional Oil Painting answers those questions and many more. This comprehensive sourcebook explores the most advanced levels of oil painting, with full information on the latest scientific discoveries. Author and distinguished artist Virgil Elliott examines the many elements that let artists take the next step in their work: mental attitude, aesthetic considerations, the importance of drawing, principles of visual reality, materials, techniques, portraiture, photographic images versus visual reality, and colour. Traditional Oil Painting helps artists master the secrets of realistic painting to create work that will rival that of the masters.
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À propos de l’auteur
Virgil Elliott is a world-respected painter and writer. He is included in the Art Renewal Centers Gallery of Living Masters and one of only twenty-four artists worldwide with certification from the American Portrait Society. A Signature Member of the American Society of Portrait Artists and the Society of Western Artists, and the chairman of the ASTM International Task Group on Artists Pastels, he lives in Pennegrove, California.
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