Walker Evans

Mellow, James R.

ISBN 10: 046509077X / ISBN 13: 9780465090778

Edité par Basic Books, 1999

Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur GRP65522643

Synopsis :

Walker Evans (1903–1975) is best known as one of the leading documentary photographers of the Depression Era, and for his photographs of Alabama sharecroppers in James Agee's Let Us Now Praise Famous Men. His FSA photographs have become icons in the American consciousness, and are perhaps the most influential body of photographic work in this century.But Evans was not the propagandist for social causes he was presumed to be; he was, instead, a fastidious observer, recording, simply, the way things were. His instinctive aversion to “artiness” contrasted him sharply from his senior Alfred Stieglitz, and his immediate contemporary, Ansel Adams. Evans' eye took him toward the dusty particulars, the backroads of American life, its rundown mill towns, roadside stands, torn movie posters and advertisements for departed minstrel shows. He developed a peculiarly American vernacular, his particular trademark that makes an Evans photograph almost instantly recognizable.With unrestricted access to all of Evans' diaries, letters, work logs and contact sheets, James R. Mellow has produced one of the most finely wrought portraits of a major American artist ever. Also, it is a deeply informed cultural history of the 1930s and '40s and a lively account of friendships and influences with the likes of Lincoln Kirstein and James Agee.

Présentation de l'éditeur: Walker Evans (1903 1975) is best known as one of the leading documentary photographers of the Depression Era, and for his photographs of Alabama sharecroppers in James Agee's Let Us Now Praise Famous Men. His FSA photographs have become icons in the American consciousness, and are perhaps the most influential body of photographic work in this century.But Evans was not the propagandist for social causes he was presumed to be; he was, instead, a fastidious observer, recording, simply, the way things were. His instinctive aversion to artiness” contrasted him sharply from his senior Alfred Stieglitz, and his immediate contemporary, Ansel Adams. Evans' eye took him toward the dusty particulars, the backroads of American life, its rundown mill towns, roadside stands, torn movie posters and advertisements for departed minstrel shows. He developed a peculiarly American vernacular, his particular trademark that makes an Evans photograph almost instantly recognizable.With unrestricted access to all of Evans' diaries, letters, work logs and contact sheets, James R. Mellow has produced one of the most finely wrought portraits of a major American artist ever. Also, it is a deeply informed cultural history of the 1930s and '40s and a lively account of friendships and influences with the likes of Lincoln Kirstein and James Agee.

Détails bibliographiques

Titre : Walker Evans
Éditeur : Basic Books
Date d'édition : 1999
Reliure : Couverture rigide
Etat : Very Good
Edition : 1St Edition.