Hardcover. 8vo. Published by William Morrow and Company, New York. 1974. 412 pgs. First Edition/First Printing. DJ has shelf-wear present to the DJ extremities (spine ends lightly chipped and worn). Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Previous owner's name present to the front pastedown. Light foxing present to the endpapers. Text is clean and free of marks. Binding tight and solid. Few books transform a generation and then establish themselves as touchstones for the generations that follow. Zen and the Art of Motorcycle Maintenance is one such book. This modern epic of a man s search for meaning became an instant bestseller on publication in 1974, acclaimed as one of the most exciting books in the history of American letters. It continues to inspire millions. A narration of a summer motorcycle trip undertaken by a father and his son, Zen and the Art of Motorcycle Maintenance becomes a personal and philosophical odyssey into fundamental questions on how to live. The narrator's relationship with his son leads to a powerful self-reckoning; the craft of motorcycle maintenance leads to an austerely beautiful process for reconciling science, religion, and humanism. Resonant with the confusions of existence, this classic is a touching and transcendent book of life. ; 8vo 8" - 9" tall; 412 pages.

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D�tails bibliographiques

Titre: Zen and the Art of Motorcycle Maintenance An Inquiry Into Values
�diteur: William Morrow, E-143
Date de parution: 1974
Langue: anglais
ISBN � 10 chiffres: 0688002307
ISBN � 13 chiffres: 9780688002305
Reliure: Hardcover
�dition: First Edition; First Printing.
�tat de l'article: Very Good
�tat de la jaquette: Very Good

A propos de ce titre

Synopsis

A man and his young son embark on a summer motorcycle road trip across America’s Northwest, seeking to reconnect and explore the open country.

But this is no ordinary vacation. As the miles unspool, the journey transforms into a profound philosophical inquiry, a rolling Chautauqua that seeks to answer one of life’s most essential questions: What is best?

On a vintage motorcycle, the narrator grapples not only with the mechanics of his machine but with the very nature of Quality itself. He confronts the deep split in modern life between a cold, rational view of technology and a romantic, emotional engagement with the world, searching for a way to heal the divide. Yet, the biggest questions lie within.

Dogging his every thought is the ghost of his former self, a brilliant and dangerous man named Phaedrus, whose obsessive pursuit of truth led to his own destruction. This cross-country odyssey is more than a search for answers; it is a confrontation with a haunting past, a flight for sanity, and a powerful meditation on how we ought to live.

This profound and deeply personal story is an exploration of life’s most fundamental questions—a search for how to live, not just how to get by.

A Father-Son Journey: Across the backroads of America, a man and his eleven-year-old son, Chris, share a motorcycle trip that uncovers the deep, complex, and often fraught bonds between them.
The Philosophy of Quality: Through a series of philosophical discussions, or “Chautauquas,” the narrator grapples with the essential nature of what makes something good, from a well-maintained engine to a well-lived life.
Technology and The Human Spirit: The narrative explores the deep divide between those who run from the cold logic of machines and those who engage with it, seeking a way to unite our rational and creative selves.
A Divided Self: Haunting the entire journey is the ghost of Phaedrus, a former self the narrator must confront, forcing a reckoning with his own past, his sanity, and the very nature of his identity.

� propos de l?auteur

Robert M. Pirsig (1928–2017) is the author of Zen and the Art of Motorcycle Maintenance, which has sold more than five-million copies since its publication in 1974, and Lila, a finalist for the 1992 Pulitzer Prize for Fiction. He graduated from the University of Minnesota (B.A., 1950; M.A., 1958) and attended Benares Hindu University in India, where he studied Eastern philosophy, and the University of Chicago, where he pursued a PhD in philosophy. Pirsig’s motorcycle resides in the Smithsonian Institution.

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Description de la librairie

I have been selling books for more than 20 years. I am a specialist in out of print and rare academic titles, art, history, military history and what I like to loosely describe as "Old and Interesting." Here is a helpful list of book terms that I use: Terms for Describing Condition These terms apply to books, dust jackets and magazines. As New is when the book is in the same immaculate condition in which it was published. There are no defects and the dust jacket, if issued with one, is perfect. Fine approaches the condition of "As New," but without being crisp. There may be minor defects, which are noted. Very Good describes a book that does show some small signs of wear but no tears on either binding or paper. Any defects are noted. Good describes the average used and worn book that has all pages or leaves present. All defects are noted. Fair is a well-worn book that has complete text pages but may lack endpapers, half title page, etc. All defects are noted. Poor describes a book that is sufficiently worn so that its only merit is as a reading copy. This book may be soiled, scuffed, stained or spotted and may have loose joints, hinges, pages, etc. All defects are noted. Ex-library books are always noted as such regardless of condition. Book Club Editions (BCE) are always noted as such regardless of condition. Boards are the actual hardcover material of the cover, front and back. Bookplate is usually a square illustrated sticker on which an owner writes his or her name, or on which the author has signed his or her name. Bumped refers to the bent or rounded corners of the boards. Browning or tanning refers to brown or tan looking pages or page edges that appear in some older books. Chip is a tiny piece missing from the edge of the dust jacket. Closed tear is a tiny rip in the dust jacket, but no material is missing (as in a chip). It can be "shut" and protected from further tearing with a Mylar cover. Cocked means the book is no longer square. If laid down, the book appears to be pushed (slanted) forward or backward from the spine. Creasing is where the dust jacket or pages have been bent, and then returned to its original state. Dampstain is a tan or gray stain resulting from water or other liquid damage. End papers or pastedowns are the sheets of paper pasted onto the inner covers, joining the book block to the covers. One side of the sheet is pasted to the inside cover, the other is left free (see FFEP). FFEP stands for front free-endpaper. This is the first page of any book. Though usually blank, it is a common place for an inscription. Foxing is the term used for the rust colored spots which occur on paper. This is the result of oxidation of both organic and iron impurities left behind during the paper making process. Front, top or bottom edge: These are the outside page edges. Loose is what happens to a book which has been read several times. The cover easily flaps open and the pages do not return to a tight condition. Heal or tail is the bottom of the spine. Head is the top of the spine. Mass-Market paperback is the most common paperback book, about four inches wide and seven inches high. Seen most often as "popular" fiction, science fiction and romance books. Mylar cover is the clear film that most fine bookshops use to cover and protect the dust jackets. Spine separation occurs at the head (top) of the spine where the fingers grab and pull the book from the shelf. After repeated pulling, the glue holding the outer spine board to the inner binding separates. Sunned is the fading of paper or binding as a result of sun exposure. Trade paperback is a softcover book which is generally large in size and made of better quality materials than a Mass-Market paperback. Wraps are the outer covers of a softcover (paperback) book or pamphlet.

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