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In-4º. Wrappers in slipcase. : #4 11/29/1925 - #14 1/3/1926- #46 6/8/1826(2) - #48 6/10/1826 - #52 6/20/1826 - #53 6/22/1826 - #54 6/24/1826 - #55 6/27/1826 - #56 6/29/1826(2) - #57 7/1/1826(2) - #58 7/4/1826 - #59 7/6/1826 - #60 7/8/1826 - #61 7/11/1826 - #62 7/13/1826 - #63 7/15/1826 - #72 8/5/1826 - #73 8/8/1826 - #74 8/10/1826 - #75 7/12/1826 - 76 8/15/1826 - #77 8/17/1826 - #78 8/19/1826 - #79 8/22/1826 - #80 8/24/1826(2) - #81 8/26/1826 - #83 8/31/1826 - #84 9/2/1826 - #86 9/7/1826 - #87 9/9/1826 - #88 9/12/1826 - #89 9/14/1826 - #91 9/19/1826 - #94 9/26/1826 - #169 2/6/1827 - #171 2/9/1827 - #172 2/10/1827 - #174 2/13/1827 - #176 2/15/1827 - #235 7/9/1827. (40 issues) In the year 1825 a newspaper appears that would have great transcendence in the political life of the country. This newspaper "El Mensajero Argentino", defender of the unitary party, was written by Juan Cruz Varela, Agustín Delgado, Valentín Alsina and Francisco Pipo. Varela from 1821 he was deputy of the province of Buenos Aires, supporting in the Hall of Representatives and in the press the liberal reforms carried out by the Minister Bernardino Rivadavia. He was editor of several newspapers, among them El Centinela (1822-1825), El Porteño, El Pampero and El Tiempo. In 1826 he was elected deputy to the General Constituent Congress, in which he served as secretary. "His active participation in political life led him to journalism, which was his most brilliant lecture." He founded and wrote "El sentinela", "El mensajero argentino", "El tiempo", and other newspapers that achieved well-deserved influence in Buenos Aires He wrote poetry and theater, revealing his classical influence especially of Virgil and Horace. In addition to two classic plays, he published a Spanish-inspired farce. Among his poems stood out the epic poems and of love inspiration. He was accused by the opposition press of stealing public funds, so that the fall of Rivadavia was a staunch opponent of his successor, Manuel Dorrego. He participated in the preparation of the revolution of December 1, 1828 against Governor Dorrego, and openly supported the election of Juan Lavalle in his place. He was, along with Salvador Maria del Carril, one of the two instigators of the execution of Dorrego in the hands of General Lavalle, in a letter to the unitary general when he had not yet taken possession of the person of Dorrego. The last words of his letter have become particularly known, "Letters like this are broken" General Lavalle ordered the execution of Dorrego and assumed full responsibility, but did not break the letter. During his government he published a new newspaper, called El Mensajero Argentino. After the fall of Lavalle he took refuge in Montevideo with his brother Florencio, and unlike him, did not leave that city again. There he dedicated himself to write new poems of classic style, and to translate Latin authors. He was also noted for his opposition poems to the Buenos Aires governor Juan Manuel de Rosas, as Al May 25, 1838, in Buenos Aires. Contributed to the pages of The Initiator. "Following the destiny of the Rivadavist party he was forced to emigrate from his homeland for the conservative restoration, in Montevideo he acted in the liberal press, fighting Rosas, and devoted himself to literary works." At the age of 44, he died in Montevideo on the 24th. January 1839. CodBos.
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