Previous Owner Markings (Including Highlighting, Notes); Light Creasing on Front, Rear Covers; Front, Rear Covers, Spine Lightly Chipped; Front, Rear Covers, Edges Lightly Soiled; Slight Yellowing Due to Age. CONTENTS: Introduction 1 DETERIORATION AND CONSERVATION; Humidity and temperature; Mould and micro-organisms; Insect attack; Light; Pollutants; Damage by man; 2 EXAMINATION AND PREPARATION; Facilities and equipment; Examination and techniques; recording of the condition; Preparation for travel; 3 CASE DESIGN AND PACKING TECHNIQUES; Packing cases for exhibitions; Labelling and identification of cases; Packing techniques for flat objects; Packing techniques for three-dimensional objects; Problems of complex works of art and artefacts; Protection of shipments in tropical zones; Precautionary note on use of polyethylene; Methods of maintaining humidity within cases; 4 TRANSPORTATION; Transport by road; Transport by rail; Travel by ship; Air transport; Influence of pressure in air transport; Additional remarks on cushioning, shock and vibration; 5 GUIDELINES AND STANDARDS OF CARE; Criteria for loans; APPENDIXES I. Recommended relative-humidity levels for collections II. Notes on the measurement of relative humidity III. Selected glossary of conservation and technical terms; Index. EXCERPT: PREFACE The author, Dr Nathan Stolow, organized and established the Canadian Conservation Institute in 1972, being its first Director until he left in 1975. He was Special Adviser (Conservation) to the National Museums of Canada in Ottawa until 1979. He has lectured widely and frequently acted as a consultant for museums and institutions in several countries. Recently he has been conservation consultant to the Irish Treasures Exhibition in the United States of America (1977-1979), and a special lecturer in the museology programmes at the University of Ottawa and at the Unesco Centre in Mexico City. He is co-ordinator of a special working group in the International Council of Museums, and holds office in various museological and conservation bodies. At present, he is an independent conservation consultant on works of art and is based in Ottawa, Canada . . . INTRODUCTION This book is a practical guide for curators, registrars, administrators and museum and gallery workers on the care, handling, packing and transport of objects and works of art for exhibition and travel. It emphasizes conservation principles and looks closely at the physical environment and deterioration phenomena. The understanding of these principles is important for the development and maintenance of good standards in the care of collections. A primary standard is to maintain the object or work of art under optimum conditions at all times - in storage, in the gallery, during travel, and on exhibition elsewhere . . . Size: 8vo - over 7�" - 9�" tall.

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D�tails bibliographiques

Titre

museums and monuments XVII conservation standards for works of art in transit and on exhibition

�diteur

United Nations Educational, Scientific and Cultural Organization (Unesco), Paris

Date de parution

1979

Langue

anglais

ISBN � 10 chiffres

9231016288

ISBN � 13 chiffres

9789231016288

Reliure

Paperback

�tat de l'article

Good

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For a good portion of the 1990's, our family was interested in the idea of entering the used book business. We are all avid readers, book lovers, and book collectors who cannot pass a bookstore without popping in. Family trips to the library and our local used bookstore were a regularity while growing up. With each of us having interests in different genres (with a little overlapping here and there), we cover a lot of bases. The thought of having a store of our own was appealing, and the hunt was on - both for stock and a location. We thought to combine under one roof many different things that would appeal to readers and book lovers. Not only used books, but some new items as well. Bookmarks (to ward off dog-eared pages), bookends (to keep those out-of-control collections under control), bookplates (to label books on the "Can I borrow that?" circuit to ensure that they always found their way home), book repair tape (to lend a helping hand to collectors with tattered favourites in their collections), and so on. With an interest in book-themed knick knacks as well, we had two sides to our would-be business: books and knick-knacks. Hence the business was born. In the early part of 1998 we bought a commercial property, and in the summer we first opened our doors in a storefront in Uxbridge, Ontario, Canada. With start-up stock consisting of a garage full of books hand-picked for just such a venture that we purchased from someone who changed their plans, we were in business. For several years we operated in this storefront, growing our business and learning about the industry and the backbone of it - the customers. It was very satisfying to be present at the end of someone's book quest, as we were quite often. Many a time we heard shouts of joy from somewhere in the shop as customers happened upon just what they'd been looking for (oftentimes for quite a while). At other times, people would approach us with bits and pieces of information that they remembered from long ago favourites in hopes that we could at least help them come up with an author or title to help in their search, which we often times did, with the book in hand. And when we couldn't come up with anything on our own, we would pick the brains of other customers in conversation, or turn to the internet for help for them. For us, quality and selection of stock go hand-in-hand with customer service. One isn't much good without the other. But times, people, places, and lives change and after several years in our storefront we made a change of our own - in 2004 we relocated to the internet. Now a home-based business in Oshawa, Ontario, Canada, we are gradually bringing our inventory online here. We carry used paperbacks, hardbacks, and magazines for both adults and children. We have thousands upon thousands of books that are not yet listed for sale on the internet, but are gradually making their way there.

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