East Asian Film Noir: Transnational Encounters and Intercultural Dialogue - Couverture rigide

9781780760087: East Asian Film Noir: Transnational Encounters and Intercultural Dialogue

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ISBN 10 : 1780760086 ISBN 13 : 9781780760087

Editeur : I.B. Tauris, 2015

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Film noir has been understood as a genre exclusive to Hollywood. But classical US noir's downbeat sensibility also finds expression in later films from Japan, South Korea and greater China (including Hong Kong) and Taiwan that have both participated in and been excluded from circuits of global-noir traffic, past and present. Noir is a form of generic expression, an international filmic sensibility and a discourse loosely joining innumerable texts and a range of production and reception phenomena. However defined and categorized, the genre offers a compelling frame through which to view individual works, looming political and cultural contexts, film industry and reception activity, and wider circuits and frictions of global screen-media flow.

This anthology looks at a range of East Asian films from the 1950s to the present - including The Crimson Kimono, Brother, Ghost in the Shell, Nowhere to Hide, Duelist� and Rebels of the Neon God - that have been explicitly framed as film noir or East Asian noir, or that acquire legibility as noir texts through reception discourse and other critical activity. Contributors look at historical and contemporary cases to understand the terms on which national, regional and transnational cinemas conceive artistic expression. Their conceptualization and articulation of an internationally situated 'East Asian film noir' helps raise questions around the politics of representation, authorial activity, generic and modal positioning and local and cross-cultural reception.

Les informations fournies dans la section � Synopsis � peuvent faire r�f�rence � une autre �dition de ce titre.

� propos de l?auteur

Mark Gallagher is co-editor, with Yiman Wang, of Bloomsbury's Global East Asian Screen Cultures series and co-editor, with Chi-Yun Shin, of East Asian Film Noir (2015). He is the author of Tony Leung Chiu-Wai (2018), Another Steven Soderbergh Experience: Authorship and Contemporary Hollywood (2013) and Action Figures: Men, Action Films and Contemporary Adventure Narratives (2006).

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

�diteur: I.B. Tauris
Date d'�dition: 2015
Langue: anglais
ISBN 10: 1780760086
ISBN 13: 9781780760087
Reliure: Reli�
Nombre de pages: 256
�diteur: Shin Chi-Yun, Gallagher Mark
Coordonn�es du fabricant: non disponible
Personne responsable: WordUnited GmbH
distribution@wordunited.com

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East Asian Film Noir

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ISBN 10 : 1780760086 ISBN 13 : 9781780760087

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East Asian Film Noir

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East Asian Film Noir (Hardcover)

Mark Gallagher

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Hardcover. Etat : new. Hardcover. Film noir has been understood as a genre exclusive to Hollywood. But classical US noirs downbeat sensibility also finds expression in later films from Japan, South Korea and greater China (including Hong Kong) and Taiwan that have both participated in and been excluded from circuits of global-noir traffic, past and present. Noir is a form of generic expression, an international filmic sensibility and a discourse loosely joining innumerable texts and a range of production and reception phenomena. However defined and categorized, the genre offers a compelling frame through which to view individual works, looming political and cultural contexts, film industry and reception activity, and wider circuits and frictions of global screen-media flow. This anthology looks at a range of East Asian films from the 1950s to the present including The Crimson Kimono, Brother, Ghost in the Shell, Nowhere to Hide, Duelist and Rebels of the Neon God - that have been explicitly framed as film noir or East Asian noir, or that acquire legibility as noir texts through reception discourse and other critical activity. Contributors look at historical and contemporary cases to understand the terms on which national, regional and transnational cinemas conceive artistic expression. Their conceptualization and articulation of an internationally situated East Asian film noir helps raise questions around the politics of representation, authorial activity, generic and modal positioning and local and cross-cultural reception. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N� de r�f. du vendeur 9781780760087

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East Asian Film Noir (Hardcover)

Mark Gallagher

Edit� par Bloomsbury Publishing PLC, London, 2015

ISBN 10 : 1780760086 ISBN 13 : 9781780760087

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Hardcover. Etat : new. Hardcover. Film noir has been understood as a genre exclusive to Hollywood. But classical US noirs downbeat sensibility also finds expression in later films from Japan, South Korea and greater China (including Hong Kong) and Taiwan that have both participated in and been excluded from circuits of global-noir traffic, past and present. Noir is a form of generic expression, an international filmic sensibility and a discourse loosely joining innumerable texts and a range of production and reception phenomena. However defined and categorized, the genre offers a compelling frame through which to view individual works, looming political and cultural contexts, film industry and reception activity, and wider circuits and frictions of global screen-media flow. This anthology looks at a range of East Asian films from the 1950s to the present including The Crimson Kimono, Brother, Ghost in the Shell, Nowhere to Hide, Duelist and Rebels of the Neon God - that have been explicitly framed as film noir or East Asian noir, or that acquire legibility as noir texts through reception discourse and other critical activity. Contributors look at historical and contemporary cases to understand the terms on which national, regional and transnational cinemas conceive artistic expression. Their conceptualization and articulation of an internationally situated East Asian film noir helps raise questions around the politics of representation, authorial activity, generic and modal positioning and local and cross-cultural reception. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N� de r�f. du vendeur 9781780760087

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East Asian Film Noir

Shin, Chi-Yun

Edit� par Bloomsbury Publishing PLC, 2015

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Etat : New. &Uumlber den AutorChi-Yun Shin is Senior Lecturer in Screen Studies, Sheffield Hallam University, UK and is on the editorial board of the Journal of Japanese and Korean Cinema. Mark Gallagher is Lecturer in Film and Television Studies. N� de r�f. du vendeur 596817128

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East Asian Film Noir: Transnational Encounters and Intercultural Dialogue

Chi-Yun Shin

Edit� par Bloomsbury Publishing PLC, 2015

ISBN 10 : 1780760086 ISBN 13 : 9781780760087

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East Asian Film Noir : Transnational Encounters and Intercultural Dialogue

Chi-Yun Shin

Edit� par Bloomsbury Publishing PLC M�r 2015, 2015

ISBN 10 : 1780760086 ISBN 13 : 9781780760087

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Buch. Etat : Neu. Neuware - Film noir has been understood as a genre exclusive to Hollywood. But classical US noir's downbeat sensibility also finds expression in later films from Japan, South Korea and greater China (including Hong Kong) and Taiwan that have both participated in and been excluded from circuits of global-noir traffic, past and present. Noir is a form of generic expression, an international filmic sensibility and a discourse loosely joining innumerable texts and a range of production and reception phenomena. However defined and categorized, the genre offers a compelling frame through which to view individual works, looming political and cultural contexts, film industry and reception activity, and wider circuits and frictions of global screen-media flow. This anthology looks at a range of East Asian films from the 1950s to the present - including The Crimson Kimono, Brother, Ghost in the Shell, Nowhere to Hide, Duelist-- and Rebels of the Neon Go d - that have been explicitly framed as film noir or East Asian noir, or that acquire legibility as noir texts through reception discourse and other critical activity. Contributors look at historical and contemporary cases to understand the terms on which national, regional and transnational cinemas conceive artistic expression. Their conceptualization and articulation of an internationally situated 'East Asian film noir' helps raise questions around the politics of representation, authorial activity, generic and modal positioning and local and cross-cultural reception. N� de r�f. du vendeur 9781780760087

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