machine seen end mechanical age de hultén pontus (90 résultats)

hardcover. Etat : Good. Unique metal-covered book with rivets along spine. NOTE: there is one spot on the spine with a slight sharp edge. Modest tarnishing along spine. No text markings noted.

Hardcover. Etat : Very Good - Cash. No Jacket. First Edition. Metal covers, colorfully painted showing a street scene with a yellow cab, raised features from a press. Riveted binding. Clean, minimal wear. Pages are clean and unmarked. Some scratches to the polished back cover. This is a collector's item. Stock photos may not look exactly like the book.

hardcover. Etat : Good.

Hardcover. Etat : Good. Etat de la jaquette : No. 1968 Ex Library Reflective metal binding with colour illustration to front . Black and white photographs by various artists. Good condition with wear to covers as shown in pictures. With the usual library stamps/stickers. NO Dust Jacket. U5A62.

[NONE] 1968. (hardcover) Near fine. 218pp. 4to. Colour illustrated embossed tin covers. Black and white illustrations throughout. Catalogue published to accompany the exhibition of the same name held at MoMA November 27, 1968 to February 9, 1969. Sculpture, drawings, paintings, photographs, amd else that explore artists' depictions of technology, their themes and intent and how their work comments on the technology of their era. The cover shows light scruffing as may be anticipated given its medium; otherwise a fine (and impressive) copy.

Hardcover with printed metal covers; 218 pages; very good condition: front cover image still very clean except small stain at upper left corner; rear of metal cover scratched; and spine has wear; internally very good; pages toned and a couple creased at upper right corner; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Good. No DJ as issued, previous owner's name penned on title page, spine tarnished, back cover rubbed; Decorative metal covers. 216 pp. B&W illustrations. Notes, biblio, index. Exhibition cataloque; 4to; 216 pages.

hardcover. Etat : Good. Cover shows minor shelf wear. Pages are clean and intact.

Hardcover. Etat : Very Good. Decorated Metal covers. Many photos and drawings of Machines through the ages.

Hardcover. Etat : Very Good+. First Edition (?). B & W and Color; 9.40 X 8.30 X 0.10 inches; 218 pages; Covers are most unusual, made out of stamped metal, with a very colorful front cover. Metal hinges; light rubbing, scuffing to covers and spine. Former owner's sticker and small sticker residue spot on front leaf. Pages are clean and tight. Lavishly illustrated with mostly b/w art from the 15th century [Leonardo da Vinci] to 1968 [Lillian Schwartz, et al]. Artist's index. This was one of the most important exhibitions of the 1960s dealing with art and technology. The show was held at The Museum of Modern Art, New York, November 25, 1968 - February 9, 1969. Its curator K. G. Pontus Hultén described it as a "collection of comments on technology by artists of the Western world," particularly in the modern age when "the mechanical machine - which can most easily be defined as an imitation of our muscles - is losing its dominating position among the tools of mankind; while electronic and chemical devices - which imitate the processes of the brain and the nervous system - are becoming increasingly important." The exhibition traveled to University of St. Thomas, Houston, March 25 - May 18, 1969; San Francisco Museum of Art, San Francisco June 23 - August 24, 1969. Extra heavy 4#.

hardcover. Etat : very good(+). Illustrated with black & white photographic illustrations. 216 pages. Short square 4to, embossed and painted metal covers, slightly scuffed on spine. New York: M.O.M.A., 1968. A bright copy in very good(+) condition. The 1968-69 exhibition of "comments on technology by artists of the Western world" from Leonardo Da Vinci to the present.

Hardcover. Etat : Fine. First Edition. A fine clean tight unmarked copy in publisher's elaborate illustrated metal covers. Some scratching to metal spine but the nicest copy of this title I have ever seen.

Etat : Very Good. Etat de la jaquette : None. 216 pages. Metal cover. Many b&w illustrations throughout. A nice, clean copy. Record # 853206.

Soft cover. Etat : Very good. No jacket. Excellent condition. Text block and inside edges are tanned but readability is not impacted. Inside is clean and unmarked.

Hardcover. Etat : Fine-. No Jacket. Anders OSTERLIN (illustrateur). 1st Edition. First Edition. No DJ. Bound in a metallic binder and held in the original cardboard box from Sweden; binder design by Anders Osterlin. Catalogue to accompany the exhibition of the same name. Illustrated with numerous photographs and drawings. Unmarked pages. Rare and unusual; a magnificent, one-of-a-kind item! More images and/or description can be sent on request. Will insure at buyer's expense, if requested. Condition: Near Fine.

Hardcover. Etat : Very Good. First Edition. A fascinating catalog in an unusual binding. Metal Covers hinged and affixed at spine with rivets. Illustration is pressed in metal and color printed on top. Covers in remarkable condition, usually scratched, these are very clean. Minor stains on first free endpaper. Clean within.

Hard Cover. Etat : Very Good +. B0007DDXYK Small 4to, 216 pp, VG+ in stamped and printed metal covers; an uncommonly clean and minimally tarnished copy with sharp corners. Profusely illustrated in b&w. Still a classic.

Hardcover. Etat : Good. First Edition. The Museum of Modern Art, New York. Special Hardcover made of metal (tin and galvanized steel). Moderate wear on cover and corners with some yellowing on pages throughout, quite a few scratches to front, heavy rubbing to back. Front page may be altered but otherwise good reading copy with photos and descriptions.

Hardcover. Color illus. & stamped metal covers with riveted spinel; 218 pp., profusely illus. in BW. "Offers selections from a Museum of Modern Art exhibition of works by artists of the Western World chosen as being comments on technology. Includes pieces by Calder, Duchamp, Kienholz, Picabia, Stankiewicz, Tinguely, and others, which utilize a variety of objects and materials, some being kinetic or motorized." -- WorldCat. VG- (Contents are clear but for light age toning to textblock and margins; some scuffing to metal covers; otherwise very nice.).

Hardcover. Etat : Very Good. First Edition. Publisher: Museum of Modern Art, New York, 1968.NEAR FINE+ hardcover book in illustrated embossed metal boards, as issued. First Edition, First Printing.

Hardcover. Etat : VG. First Edition. DECORATIVE METAL BOARDS, BOTTOM EDGE BUMP, CLEAN COPY.

Hardcover. Etat : Very Good. First edition. Square octavo. 216 [2] pp. Illustrated. Color pictorial metal covers. Covers rubbed and soiled with small stains, very good, lacking the cardboard slipcase.

Hardcover. Etat : Near Fine. 1st Edition. METAL COVER WITH SPINE RIVETS. SPINE HAS SOME OXIDATION. THE ENAMELED PICTORIAL FRONT COVER IS IN EXCELLENT CONDITION. A BETTER THAN USUAL COPY WITH A BETTER THAN USUAL PRICE. Size: SMALL QUARTO.

Hardcover. Etat : Fine+. First Edition. Hardcover. Tin covers silkscreened with raised and painted illustration on front; hinged, with a tin spine, bright and sharp, small dent and some scuffing to back. First edition. Book is firm in binding, mild age toning to interior. Contains mostly b&w plates of work by Calder, Duchamp, Ernst, Feininger, Lissitzky, Man Ray, Moholy-Nagy, Picabia, Schwitters, Tatlin, Tinguely and many others. A very nice copy. Free of any markings, not ex-library. ; 4to 11" - 13" tall; 216 pages.

Etat : Good. 8vo. 216 pp. Very Good with staining on pages and rusting on edges of covers. Hard cover. Embossed and printed metal board covers with hinged binding. Mostly Color plates. Featuring works by Marcel Duchamp, Francis Picabia, Fernand Leger, Robert Rauschenberg, Robert Breer et al. First Edition.

Hardcover. Etat : with no dust jacket. Etat de la jaquette : No Dust Jacket. Hardcover; Hardcover. Color illustrated metal boards show light wear and scuffing. Metal riveted spine shows scuffing and light rusting. Text pages lightly tanned. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; Photos & Illus; square 8v0; 217 pages.

Hardcover. Etat : very good. First edition. Catalog that accompanied a seminal exhibition at The Museum of Modern Art, New York in 1968. René d'Harnoncourt, then director of the MoMA had the idea for an exhibition of kinetic art but this idea was soon extended to new dimensions to an overview of the history of machines within an artistic context. Each of them is displayed on a single page with extensive black and white imagery. Starting of with earliest depictions of machines by Dürer, da Vinci and contemporaries, all the way through with Robert Beer's kinetic plastic sheet continiously changing its shape by different, indiscernible mechanisms. and Wen-Ying Tsai's "cybernetic" sculpture projecting onto ocillating rods. Hardcover with silkscreened tin covers, with raised and painted illustration on front. Covers are bound by three rivets and nine small hinges for front and rear covers. Spine has started to tarnish; there is mild rubbing to covers. Better than usual overall condition. 6" - 8½". book.

Orig.-Blech-Einband mit geprägtem Deckel. Gr.8°, 216 S., zahlr., selten farbige Abb. Einband min. gebrauchsspurig, Papier min. gebräunt; gutes Ex. EA. Erschienen zur Ausstellung.

Hardcover. Etat : Vg. No Jacket. First Edition. 216 pgs. b/w illustrations of exhibits.Catalogue of the exhibition held at The Museum of Modern Art, 25 Nov. 1968 - 9. Feb. 1969. The catalogue is notable for its striking design by Anders Osterlin, and its covers unusual fabrication from pressed metal, hinged along the spine. Front cover is bright and lightly rubbed. Back cover lightly scratched and a little tarnished. The catalogued works are divided into Art, Invention, Car, Camera and Experiments in Art and Technology and includes early examples by artists such as Durer and Leonardo da Vinci, but predominantly focuses on the technological and artistic explosion of the 20th century. Artists featured include Hans Bellmer, Alexander Calder, Charles Chaplin, Marcel Duchamp, Max Ernst, Lyonel Feininger, Paul Klee, El Lissitzky, Man Ray, and others.

4°, 216 S. mit vielen Abbildungen, farbig bedruckter Orig.-Metalleinband Entwurf von Anders Österlin nach einer Photographie v. Alicia Legg. Erste Ausgabe.- Spektakulärer Katalog zum Thema Maschine in der Kunst.- Linke untere Ecke etwas bestossen, sonst gutes Exemplar.