The Long Program: Skating Towards Life's Victories

Book by Fleming Peggy

Chapter One: Confidence

If you had seen me in my early years, you would have had a hard time picking out the graceful skater that I worked very hard to become. If you first met me as an Olympic athlete or on a television special in a wispy costume gliding along ice as polished as a diamond, you probably think that I glide through life with my own personal symphony playing Mozart or Haydn, as I go to the supermarket or have the oil changed on my four-wheel drive.

Not quite.

The real me, the me before Peggy the Skater, was a scrawny, shy tomboy afraid to look in the mirror. It took many years for me even to recognize myself in the Peggy Fleming that the rest of the world sees. No matter how far any of us go in life, inside each of us is the kid we started out as.

If you had dropped into my fourth-grade class, you would have had a hard time picking out the future Olympic champion. In fact, you would have had a hard time picking me out at all. I was so shy that I usually scrunched myself into my chair in the back row hoping not to attract any attention at all. I was the kid who prayed the teacher never called on her, the one who never raised her hand.

I was desperately in need of confidence, especially in social situations. Like many other awkward children, it was only in the physical side of life that I began to find that confidence. Skating was the thing that eventually made everything else fall into place, but I was ready for skating when I discovered it only because I had spent years being physically active.

When I got outdoors, I felt free. When I got outdoors, I didn't mind attracting attention. If I were playing on the monkey bars, I would try the scariest, hardest tricks. It didn't matter that I had a permanent case of blisters on my hands or that my knees required a daily application of Band-Aids. That was the price I was willing to pay for showing off physically. The same thing was true when I began to play baseball. I was proud of how fast I ran the bases, how far I hit the hall, and how I could field and throw as well as the boys.

My Mom and dad were both physically active, and they both loved the out-of-doors. Lucky for them: Fresh air and sunshine are free and abundant in California, and they couldn't have afforded much more. They always had to scramble to make ends meet, but I never knew about that. Kids rarely, do.

My mom, Doris Deal, met my dad, Al Fleming, while she was waitressing at a restaurant in the Bay Area. The restaurant was a cutesy thing built inside a windmill. One afternoon she was serving a group of marines who were having a high old time. Among them was a powerfully built man with Irish good looks who had just been discharged from the corps.

My dad remembers that his eyes took in what my mom would later refer to as her "assets," and he told his buddies, I am going to marry that girl." He did, and my three sisters and I are the results.

A lot has been written about how my mother shaped my career, but it was my dad who first got me into skating. He was not a simple man: He could be loving, full of high spirits, and always ready for a good time, but at other times his face could darken and he could get angry in a scary way. His background -- strict Catholic upbringing followed by marine corps training -- tells the story of one side of his character: a lot of repression.

Having five women around our house was more than he knew how to handle. His response, when it wasn't just to have fun, was to be strict. For example, when we were teenagers just starting to think about looking womanly, he was totally against makeup or even a hint of glamour in his daughters. I would spend hours putting on makeup that I thought would look discreet enough that Dad would never notice. But I would make it only to the bottom of the stairs and Dad would take one look and send me back up to the bathroom to take it off. Of course, I'd stash all my makeup in my bag, and on the way to whatever party I was going to, I'd put lipstick and eyeliner on in the car. As my husband, Greg, will be the first to tell you, the big difference in me as a grownup is that now I openly put my makeup on in the bathroom, then I still work on it in the car.

The war experience marked my dad, which affected all of us in the family. A Japanese grenade landed on his tank and killed most of his friends. It smashed his leg up and he had to have a metal plate put in. He also came down with malaria, and I remember his screams when the fever came on strong. Mom would close the door so we wouldn't hear, but closing doors in houses rarely accomplishes much: Everybody knows what's going on.

My dad's way of dealing with this was to be as happy-go-lucky as possible -- with plenty of help from his buddies and the bottle. Drinking was also an occupational hazard in his line of work: He was a pressman in the newspaper business. You see, you'd run a loud press all day and you'd pretty much need to blow off steam at the end of the shift with your friends. You'd drink and you'd smoke, and my dad did both -- which is probably why he had three heart attacks before his final and fatal one at the age of forty one.

But in the beginning he and Mom were two young lovers starting out life in the golden sun of California. They built themselves a family pretty rapidly. First, my sister Janice was born in 1947, and then I came along in '48. They named me Peggy partly because the doctor in the labor and delivery room was singing "Peg 0' My Heart" during my mom's labor. After me, Maxine showed up in '51 and Cathy in '54. Cathy was born on my birthday, and I always said I didn't get a party for my birthday, I got a sister instead.

They didn't have hippies then, but in a way my folks were early hippies. My mom quit college, to the great disapproval of her mother. In 1946, Doris and Al Fleming bought ten acres of land in Morgan Hill and built our house with their own hands. Dad had a job then at the San Jose Mercury News, one of many jobs that he would hold as we moved from town to town and from home to home. I am so glad that I have those early memories of that little farm. Those memories are a safe haven that I can return to in my mind when I need to put my life in perspective.

We had chickens on the farm as well as cows and horses, including an old mare and a young stallion that hadn't been broken when we got him. We used to ride the mare, sometimes two girls at a time, and I thought Dad was a real swashbuckler when he broke that stallion all by himself. We had a pig too, which I thought of as mine.

Maybe you can look into this portrait of a childhood and see the outlines of my Olympic future, but when I remember those days -- especially the pig -- I see Peggy Fleming, future spokeswoman for the National Pork Producers Council (one of the jobs I would hold later in my career as an endorser and a star of commercials).

I loved that pig, but, our Doberman pinscher, whom I also loved, didn't.

One afternoon, for no apparent reason other than the basic nature of Dobermans, he jumped the barnyard fence and killed the pig. I cried as much as a little girl can cry, but that was just the beginning. Mom and Dad were afraid that the Doberman had become a danger; if it could attack the pig, it might attack one of us. Dad took his gun, went way out into a field so we wouldn't hear or see, and shot the dog. Not only had I lost my pet pig but we lost the family dog, too.

I didn't pine for too long. Mom and Dad liked sports and games as much as I did, or at least they pretended that they did, and they encouraged my sisters and me to go outside and enjoy ourselves. We were so into games that I remember the summer flying by one year in the late fifties, We were low on funds and the Fleming sisters camped by a lake with my mom while Dad went back to the Midwest to look for work.

We were kind of gypsies in that summer. My sisters and I spent the whole summer running, jumping, tree climbing, rope skipping, and singing around the campfire. These things seemed to be the perfect thing to do, and I enjoyed doing them with my family. I enjoyed doing them with my friends. I guess I just enjoyed being a tomboy, but they don't give out Olympic gold medals for being a tomboy.

One Saturday afternoon in December 1957, my mom saw an ad in the paper for a newly opened skating rink in the Bay Area that was offering a special introductory bargain price. I was nine years old, and my dad loved skating -- in mom's words, he was "a nut on the subject." When my folks were courting, he had even taken a job setting up bowling pins to earn extra cash to go skating. So when Mom showed Dad the ad, he packed us all in the car and I was on the way to the thing that would make a new me.

It was like that scene in City Slickers where Billy Crystal, who has just turned forty and has gone on a cattle drive out West to resolve his mid-life crisis, asks the Jack Palance character, Curly, what the secret to life is. Curly holds up his index finger, saying the secret is "one": All you have to do is find one thing that you love.

I had my "one" moment at the age of nine. From that day on, I was a different girl. I had found the thing that made everything else fall into place.

The little girl who liked to show off on the monkey bars finally had something beyond a playground game to excel at. That was it, I finally had a craft, an art, a calling. Not that after an hour flopping on the ice with my father I was able to see the plan for the rest of my life, but something deep inside me knew. I had discovered something that I loved, something that gave me great pleasure, something that made me feel free, and this was a first! -- something that made me feel pretty.

Pretty was not the word that came to mind when I looked at myself in the mirror. I had the little-girl silhouette of a string bean in a dry summer, and my hair was thin and scraggly. But when I started skating, I could feel prettier by the way I moved, by my posture, by the position of my arms and legs, even by the tilt of my head. But before I felt pretty, I had to feel free and in control -- that was the door that skating first opened. After that first time with my dad, I wanted to skate again...and again...and again. Being good at something -- and having that something be a thing I loved to do -- worked a change in me.

The timid tomboy who never cared how she looked finally started to blossom. For the first time I had a feeling of confidence, something I had never known before. It is something I have since come to believe in to the core of my soul: Confidence is the first and most important building block in becoming a fulfilled person. Confidence enables you to believe "I can do something that will make other people admire me. I can make my body stronger. I can compete and, if I don't win, I believe I have it in me to work harder and win the next time."

I was born a competitor. I always wanted to be best, not just better than the few girls who enjoyed sports the way I did, but better than the boys as well. It was a source of great pride to me when, years later, at a Little League game, I retrieved a foul ball and zipped it over to the first-base coach. "Wow, Mom," my son said with pride, "you don't throw like a girl." I was proud too -- although if anyone but my son made such a patronizing remark, I wouldn't feel quite so warm and proud about it.

I began to realize that if I could make things into a game, I wanted to win. Even in math class, back in the third grade, I recall only getting interested when my teacher turned the math assignment into a game. That was all I needed to hear. I had never given a hoot about math and my grades showed it, but after that I absolutely bad to win that competition.

That will to win didn't leave me when I grew up. One of my first paychecks was for appearing in my first NBC special, "Here's Peggy Fleming." It was for $35,000 -- which was a dazzling amount of money when you think that in his best year my dad probably brought home $10,000. Like the good red-blooded American girl that I was, I took that paycheck and used part of it to buy a fast car, not just any fast car, but a Porsche, a maroon Porsche. It was a real kick driving it, but the thing about fast cars is you never really get to see what they can do under normal driving conditions. Why spend all that money on a great machine just to look cool?

Our neighbors, the Melis, were members of the local Porsche club, and they invited us to come to an event one afternoon. Barbara Meli, who enjoyed speed the way I did, was the Ladies Champion race driver in our division. She asked me to join her for the race. We strapped ourselves in, put on our helmets, and she hit the accelerator. "This is terrific," I said.

"Want to give it a try?"

"Why not?"

I got in the driver's seat of our Porsche and drove the track. You get one test lap and then the last two are timed. All by myself in the car, I had the same sense that I used to feel when I was doing school figures in skating. On a racecourse, as on the ice, if you want to win, you have to follow the course exactly. As I drove the course, I could feel the adrenaline kick in. I was having fun, so much fun in fact that I won and became the Ladies Champion on that first day. I even beat my husband, Greg. Yeah!

All through my life, understanding the rules of the game made me want to win. That was certainly the case when I was the most determined nine-year-old on ice in the whole state of California.

Every time I stepped onto the ice, it was important that I was the best one out there. People who know something about my life know the enormous role that my mother played in making me a champion. In the beginning Dad was there too, stroking the competitive fires. The same streak of toughness that made him such a strict disciplinarian showed itself in his determination to get me started in skating and to back me as far as my competitive drive would take me.

"We moved to Pasadena when I was eleven, and I became friendly with another young girl, Susie Berens, who was into skating as much as I was. Years later we would skate in the ice shows, and when both of us had our young children on tour with us, we would share the same baby-sitter. Our parents arranged it so that we could practice from five to seven each morning, when we could have the ice all to ourselves. The only problem was that the ice wasn't in very good shape, still rough from the public session the night before with a few hours of late-night speed skating practice thrown in. The speed skaters left a smooth ring on the outside but the rest of the ice was all dinged up from the public free-for-all.

My dad was on the night shift at that time, working to get out the morning edition of the paper. One morning, after watching my frustration with the crummy ice surface, he said, "If they would teach me how to run the Zamboni" -- the big machine they use to make the surface smooth -- "I could make the ice ready for you and Susie."

Dad had to be there anyway, so it gave him something to do. We would arrive at the arena in pitch-blackness, and Dad would make his way across the building to the light switch. It was big and empty, dark and scary in there for the first few moments, waiting alone until Dad turned on the lights. He would resurface the ice and I would start skating on the first ice of the day.

Here's where the competition part comes in. I figured that if we got to the rink fifteen minutes earlier, I would get that much more time ahead of Susie. "That'll really get her," I thought, and it did. But Susie was also competitive. She started showing up earlier,...