A wry, witty, often tender memoir by a former New Yorker editor, magazine writer, and book publisher who offers great tales of a life in wordsDaniel Menaker started as a fact checker at
The New Yorker in 1969. With luck, hard work, and the support of William Maxwell, he was eventually promoted to editor. Never beloved by William Shawn, he was advised early on to find a position elsewhere; he stayed for another twenty-four years.
Now Menaker brings us a new view of life in that wonderfully strange place and beyond, throughout his more than forty years working to celebrate language and good writing.
He tells us his own story, too—with irrepressible style and honesty—of a life spent persevering through often difficult, nearly always difficult-to-read, situations. Haunted by a self-doubt sharpened by his role in his brother’s unexpected death, he offers wry, hilarious observations on publishing, child-rearing, parent-losing, and the writing life. But as time goes by, we witness something far beyond the incidental: a moving, thoughtful meditation on years well lived, well read, and well spent. Full of mistakes, perhaps. But full of effort, full of accomplishment, full of life.
"A well-known editor’s funny and thoughtful memoir of wrong turns, both in and out of publishing. . . Menaker doesn’t just recount experiences; he digs away at them with wit and astute reflection, looking for the pattern of a life that defies easy profit-and-loss lessons."
—Kirkus, starred review
"Menaker examines a life lived well if not perfectly. He’s bold enough to explore his years at The New Yorker, where he stayed for 26 years despite discouragement from William Shawn, and the perpetual self-doubt that has dogged him, particularly owing to his role in his brother’s inadvertent death. Certainly of interest to memoir fans and literati."
—Library Journal
"How can something written so accurately be so witty? Don't you have to cheat a bit to wring the humor out of life? Daniel Menaker has constructed a compelling tale that irises down to a powerful and emotional climax and is delivered in exacting prose woven into affecting poetry."
—Steve Martin
"My Mistake is only sometimes rueful. It is also frequently funny and splendidly precise as it takes a look back at a life led in the world of magazine editing and book publishing, a behind-the-scenes rumination of a time gone by. Intriguing now, it will be necessary later; readers will be thankful for this quirky and delightful piece of history."
—Elizabeth Strout, Pulitzer Prize winner and bestselling author of Olive Kitteridge and The Burgess Boys
"Daniel Menaker's distinctive journey through his own memories is impossible to resist—and not just for those of us with an appetite for literary anecdote. My Mistake is also the story of literary New York, with keen, vivid impressions from Menaker's Forties childhood, Cold War coming-of-age, and long career at the epicenter of the publishing industry during the onslaught of the Digital Age."
—Jennifer Egan, author of A Visit from the Goon Squad
"I can't remember when I've read a memoir this—let's say 'soulful.' Funny, sad, and wryly self-aware, Menaker shines a bright light on his own background, our literary life, and his own path through it."
—James Gleick, author of The Information
"My Mistake brings to mind the poetic prose of James Agee. Menaker's stories of life as fiction editor at The New Yorker and Random House are a delight, the way he tells them simply perfect. Humorous, thoughtful, heartbreaking and brave. I have not enjoyed a memoir more."
—Julie Klam, New York Times bestselling author of Please Excuse My Daughter
Praise for
A Good Talk: The Story and Skill of Conversation:
"Evokes its subject by taking on a personal, conversational tone... Refreshingly honest." —
The Washington Post Book World "I might have guessed that Daniel Menaker could talk about talk with the same facility and charm that he can bring to any conversation. Still, A GOOD TALK, his lively analysis of the workings of social speech, comes as a delightful revelation." —
Billy Collins, former Poet Laureate of the United States, author of Ballistics "The art of conversation is in decline, and Daniel Menaker has hastened that decline by writing prose that is so funny, surprising, and habit-forming that the reader is inclined to cancel all social engagements and stay in at night with this book. I don't know about you, but I find it hard to resist an author who compares Socrates to Columbo."—
Mary Roach, author of Stiff "How can a single book be so learned, so wise, so helpful, and so short? A Good Talk is a great delight." —
Ann Packer, author of The Dive from Clausen's Pier Praise for
The Treatment: "Clever, very funny and surprisingly tender... A triumphant satire of Freudianism gone amok, a touching love story and a quintessential picture of New York life... Menaker's supple command of language, his witty turns of phrase and riposte-sharpened dialogue are informed by an ironic eye, a wryly compassionate understanding of human frailties and a skeptical but also guardedly hopeful appraisal of the human condition." —
Publishers Weekly"[Menaker] writes here of his hectic childhood with well-preserved romanticism. The result is charming. [He] is at his best when irreverent: chuckling at aptronyms (people aptly named), or deflating New Yorker legends (William Shawn and Tina Brown, most notably). Still, in this book of years, gossip is secondary to the writer’s own musings and memories. Menaker leaves the reader with a sense of the vast triumph that is a life well lived." —Publishers Weekly
"A well-known editor’s funny and thoughtful memoir of wrong turns, both in and out of publishing. . . Menaker doesn’t just recount experiences; he digs away at them with wit and astute reflection, looking for the pattern of a life that defies easy profit-and-loss lessons."
—Kirkus, starred review
"Menaker examines a life lived well if not perfectly. He’s bold enough to explore his years at The New Yorker, where he stayed for 26 years despite discouragement from William Shawn, and the perpetual self-doubt that has dogged him, particularly owing to his role in his brother’s inadvertent death. Certainly of interest to memoir fans and literati."
—Library Journal
"How can something written so accurately be so witty? Don't you have to cheat a bit to wring the humor out of life? Daniel Menaker has constructed a compelling tale that irises down to a powerful and emotional climax and is delivered in exacting prose woven into affecting poetry."
—Steve Martin
"My Mistake is only sometimes rueful. It is also frequently funny and splendidly precise as it takes a look back at a life led in the world of magazine editing and book publishing, a behind-the-scenes rumination of a time gone by. Intriguing now, it will be necessary later; readers will be thankful for this quirky and delightful piece of history."
—Elizabeth Strout, Pulitzer Prize winner and bestselling author of Olive Kitteridge and The Burgess Boys
"Daniel Menaker's distinctive journey through his own memories is impossible to resist—and not just for those of us with an appetite for literary anecdote. My Mistake is also the story of literary New York, with keen, vivid impressions from Menaker's Forties childhood, Cold War coming-of-age, and long career at the epicenter of the publishing industry during the onslaught of the Digital Age."
—Jennifer Egan, author of A Visit from the Goon Squad
"I can't remember when I've read a memoir this—let's say 'soulful.' Funny, sad, and wryly self-aware, Menaker shines a bright light on his own background, our literary life, and his own path through it."
—James Gleick, author of The Information
"My Mistake brings to mind the poetic prose of James Agee. Menaker's stories of life as fiction editor at The New Yorker and Random House are a delight, the way he tells them simply perfect. Humorous, thoughtful, heartbreaking and brave. I have not enjoyed a memoir more."
—Julie Klam, New York Times bestselling author of Please Excuse My Daughter
