One Plate, from The Apocalypse Suite
HARING, Keith.
Date d'édition : 1988
Ancien(s) ou d'occasion
Vendeur
Shapero Rare Books, London, Royaume-Uni
Évaluation du vendeur 4 sur 5 étoiles
Vendeur AbeBooks depuis 27 juin 1998
Nous sommes désolés, cet exemplaire spécifique n'est plus disponible. Voici nos correspondances les plus proches pour One Plate, from The Apocalypse Suite de HARING, Keith..
A propos de cet article
Description :
Screenprint in colours, 1988, on Museum Board, signed, dated and numbered from the edition of 90 in pencil (there were also 20 artist's proofs and 5 hors commerce sets), published by George Mulder Fine Arts, New York, with the artist and publisher's copyright inkstamps on the reverse, 96.5 x 96.5 cm. (38 x 38 in.) The darker undertones hidden beneath Keith Haring's playful and graffiti-like art have always been present, long before the creation of the present work in 1988, where cynicism was at its most powerful and confrontational. His earlier works depict themes of violence, monsters, nuclear radiation, fallen angels and the crucifixion. This work was completed in the year that Haring was tragically diagnosed with AIDS, a period when the precariousness of life left visible imprints on his art. In 1988, he said that 'all of the things that you make are a quest for immortality. Because you're making these things that you know have a different kind of life'. When the dream for immortality is cut short, the artist created darker reflective imagery with greater urgency than ever before. Klaus Littmann, pp. 98-109. N° de réf. du vendeur 112011
Détails bibliographiques
Titre : One Plate, from The Apocalypse Suite
Date d'édition : 1988
Signé : Signé par l'auteur
Meilleurs résultats de recherche sur AbeBooks
Image fournie par le vendeur
One Plate, from The Apocalypse Suite
Ancien ou d'occasion
Signé
Vendeur : Shapero Rare Books, London, Royaume-Uni
Évaluation du vendeur 4 sur 5 étoiles
Screenprint in colours, 1988, on Museum Board, signed, dated and numbered from the edition of 90 in pencil (there were also 20 artist's proofs and 5 hors commerce sets), published by George Mulder Fine Arts, New York, with the artist and publisher's copyright inkstamps on the reverse, 96.5 x 96.5 cm. (38 x 38 in.) The darker undertones hidden beneath Keith Haring's playful and graffiti-like art have always been present, long before the creation of the present work in 1988, where cynicism was at its most powerful and confrontational. His earlier works depict themes of violence, monsters, nuclear radiation, fallen angels and the crucifixion. This work was completed in the year that Haring was tragically diagnosed with AIDS, a period when the precariousness of life left visible imprints on his art. In 1988, he said that 'all of the things that you make are a quest for immortality. Because you're making these things that you know have a different kind of life'. When the dream for immortality is cut short, the artist created darker reflective imagery with greater urgency than ever before. Klaus Littmann, pp. 98-109. N° de réf. du vendeur 112017
Quantité disponible : 1 disponible(s)