Ryan McGinley: Whistle for the Wind [Signed and Inscribed]
Ryan McGinley, John Kelsey, Gus Van Sant, Chris Kraus, et al.
Langue : anglais
Edité par New York: Rizzoli. Printed in China., 2013
- Signé
- Livre relié
- Occasion
Vendeur : James Payne, Books and Prints, New York City, NY, Etats-UnisJames Payne, Books and Prints
Vendeur AbeBooks depuis 30 octobre 2020
Etat: Occasion - Satisfaisant
EUR 179,35
Quantité disponible : 1 disponible(s)
Ajouter au panierItem description from seller
[PHOTOGRAPHY]. Ryan McGinley, John Kelsey, Gus Van Sant, Chris Kraus, et al. "Ryan McGinley: Whistle for the Wind [Signed and Inscribed]." New York: Rizzoli. Printed in China, 2013. English language. Signed in ink by McGinley on front free endpaper: [Body Loud! Heart Ryan McGinley]. Hardcover pictorial boards with title blind-stamped on spine in pictorial paper jacket. Hundreds of full-color photos with accompanying critical essays, index, and artist bibliography. 12 1/4 x 10 3/4 inches. 72 oz. 240 pp. Rubbed edges and worn corners on boards. Jacket worn at edges, rubbed, a few very short tears. Inside front flap of jacket with tideline and stain visible on inside. Small break in endpaper on inside front hinge. A few pages scuffed. Last page with faint tideline near bottom corner. Good Plus in Fair jacket. ISBN: 9780847838318. "McGinley had managed to capture the hedonistic adventures of youth culture, kids hanging out and enjoying life, but without the dark underbelly of earlier artists who mined similar themes. As the work evolved, he moved away from the more documentary aspect of the early photographs and began to create scenarios where he could explore different ideas. This eventually led to the now legendary summer road trips, capturing groups of twenty-somethings among a variety of American landscapes. In his most recent body of work, McGinley continues to explore, in black and white as well as in color, the body but in the still, pared down atmosphere of his studio. In this first major monograph chronicling the entirety of the artist?s career, McGinley?s work is considered by three extraordinary figures: Chris Kraus, novelist and critic; John Kelsey, writer, artist, and activist; and Gus Van Sant, the auteur filmmaker. Each attends through the lens of their own rich insights to various aspects of the artist?s work and creative process, offering in-depth and unique perspectives on McGinley?s work and import.".…
N° de réf. du vendeur 01394
- Titre
- Ryan McGinley: Whistle for the Wind [Signed and Inscribed]
- Auteur
- Ryan McGinley, John Kelsey, Gus Van Sant, Chris Kraus, et al.
- Éditeur
- New York: Rizzoli. Printed in China.
- Année de publication
- 2013
- État de l'article
- Good Plus.
- Jaquette
- Fair
- Signé
- Signed and Inscribed
- Reliure
- Hardcover
- Langue
- anglais
- ISBN à 10 chiffres
- 0847838315
- ISBN à 13 chiffres
- 9780847838318
- Poids de l'article
- 72 onces
- Dimensions
- 10x1x12
- Catalogues du vendeur
- Photography
In 2000, Ryan McGinley, then a student, staged his first exhibition of photographs in an abandoned SoHo gallery. To coincide with the show, the artist created several handmade books featuring a sampling of his work entitled The Kids Are Alright. A copy eventually found its way into the hands of Sylvia Wolf, then a curator of photography at the Whitney Museum of American Art. In 2003, Wolf mounted an exhibition of his work at the venerable institution, the youngest artist to ever have a solo show at the museum.
What Wolf recognized—and what other critics, curators, and collectors would quickly discover—was an artist who understood and chronicled his own generation (habituées of New York City’s downtown) as no artist had before him. McGinley had managed to capture the hedonistic adventures of youth culture—kids hanging out and enjoying life—but without the dark underbelly of earlier artists who mined similar themes. As the work evolved, he moved away from the more documentary aspect of the early photographs and began to create scenarios where he could explore different ideas (aesthetic and otherwise). This eventually led to the now legendary summer-long road trips, capturing groups of twenty-somethings amongst a variety of American landscapes. In his most recent body of work, McGinley continues to explore—in black and white as well as in color—the body but in the still, pared down atmosphere of his studio.
In this first major monograph chronicling the entirety of the artist’s career, McGinley’s work is considered by three extraordinary figures: Chris Kraus, novelist and critic; John Kelsey, writer, artist and activist; and Gus Van Sant, the auteur filmmaker. Each attends—through the lens of their own rich insights—to various aspects of the artist’s work and creative process, offering in-depth and unique perspectives on McGinley’s work and import.
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
À propos de l’auteur
Chris Kraus is the author of four novels, most recently Summer of Hate (2012) and two books of art criticism. She writes frequently about visual and literary culture for Art in America, Artforum, May Revue, Los Angeles Review of Books, and other publications. The recipient of a Warhol Foundation Arts Writing grant, she has published essays and monographs on contemporary artists including Jorge Pardo, Moyra Davey, Elke Krystufek, Tiny Creatures, The Bernadette Corporation, among many others. With Richard Birkett and Marco Vera, she organized the Artists Space exhibition “Radical Localism–Media and Art from the Pueblo Nuevo Gallery Mexicali Rose” in 2012. She teaches writing at European Graduate School.
John Kelsey
is a writer, artist, and activist based in New York City. He is a member of the collective Bernadette Corporation and co-founder of the gallery Reena Spaulings Fine Art. His texts on contemporary art have appeared frequently in Artforum, where he is a contributing editor. He is the author of Rich Texts: Selected Writing for Art (Sternberg Press, 2010).
Gus Van Sant is a filmmaker, writer, artist and musician. His films include Drugstore Cowboy, Gerry, and My Own Private Idaho. He was twice nominated for the Academy Award for Best Director—in 1998 for Good Will Hunting and in 2009 for Milk. His films Paranoid Park (2007) and Last Days (2005) were both nominated for the Cannes Film Festival’s Palme d’Or. In 2003 Elephant garnered that prestigious honor and Van Sant received the award for Best Director.
« A propos de ce titre » peut appartenir à une autre édition de cet ouvrage.
James Payne, Books and Prints
New York City, NY, Etats-Unis
Vendeur AbeBooks depuis 30 octobre 2020
Frais d'expédition à l'intérieur de ce pays : Etats-Unis
| Article | 4 à 14 jours ouvrés | 3 à 10 jours ouvrés |
|---|---|---|
| Premier article | EUR 4,79 | EUR 8,71 |
Modes de paiement
Description de la boutique
I sell uncommon art catalogs, academic monographs, and prints, as well as rare ephemera such as posters and zines. I ship from Brooklyn, New York. I am an alum of the Rare Book School and the Colorado Antiquarian Book Seminar, as well as Indiana University and the Ohio State University. I started in the trade at the Wexner Center for the Arts bookstore, and I have previously worked for the Columbus Metropolitan Library, the Billy Ireland Cartoon Library and Museum, the Art Institute of Chicago's Department of Prints and Drawings, and the Indiana University Art Museum's center for Prints, Drawings, and Photographs. More recently, I was the rare book cataloger at Donald Heald Rare Books, for whom I worked the ABAA's New York International Antiquarian Book Fair.…
Spécialité
Academic Monographs, Art Catalogs, Prints, Zines, Political EphemeraProfil professionnel du vendeur
James Payne, Books and Prints
NY, Etats-Unis
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