A new look at George Caleb Bingham's iconic river paintings and his creative process in making them
George Caleb Bingham (1811-1879) moved to Missouri as a child and began painting the scenes of Missouri life for which he is now famous in the 1840s. Navigating the West explores how Bingham's iconic river paintings reveal the cultural and economic significance of the massive Mississippi and Missouri waterways to mid-19th-century society. Focusing on the artist's working methods and preparatory drawings, the book also explores Bingham's representations of people and places and situates these images in a dialogue with other contemporary depictions of the region. Of particular note are two landmark essays investigating Bingham's creative process through comparisons of infrared images of 17 of his paintings with both his preparatory drawings and the completed works, casting new light on his previously understudied process. Technical analysis of the artist's lauded masterpiece, Fur Traders Descending the Missouri, reveals Bingham's considerable revisions to the painting. In the concluding essay, the 20th-century revival of the artist's work is discussed within the context of American Regionalism and in light of a shifting sequence of narratives about the nation's past and future. Distributed for the Amon Carter Museum of American Art and the Saint Louis Art Museum
Exhibition Schedule:
Amon Carter Museum of American Art
(10/04/14-01/04/15)
Saint Louis Art Museum
(02/22/15-05/17/15)
The Metropolitan Museum of Art
(06/22/15-09/20/15)
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Nenette Luarca-Shoaf is visiting research associate at the McNeil Center for Early American Studies. Claire Barry is director of conservation at the Kimbell Art Museum. Nancy Heugh is paper conservator and Janeen Turk is assistant curator of American art, both at the Saint Louis Art Museum. Elizabeth Mankin Kornhauser is curator of American paintings and sculpture and Dorothy Mahon is conservator, both at the Metropolitan Museum of Art. Andrew J. Walker is director and Margaret C. Conrads is deputy director of art and research, both at the Amon Carter Museum of American Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Ultramarine Books, Brooklyn, NY, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. Fort Worth / St. Louis: Amon Carter Museum of Art and Saint Louis Art Museum, 2014. 200 pages; 60 color plates; numerous text illustrations. Traders and boatmen on the Missouri and Mississippi Rivers. Clean and bright throughout; tight binding. First Edition. Gray cloth with gilt titles. Fine/Fine. 11" x 10.5". Exhibition Catalogue. Language: ENG. N° de réf. du vendeur 005128
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 5314967-6
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 38362790-6
Quantité disponible : 1 disponible(s)
Vendeur : Blue Vase Books, Interlochen, MI, Etats-Unis
Etat : good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials. N° de réf. du vendeur BVV.0300206704.G
Quantité disponible : 1 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized. N° de réf. du vendeur mon0000308233
Quantité disponible : 1 disponible(s)
Vendeur : Affordable Collectibles, Columbia, MO, Etats-Unis
Hardcover. Etat : Very Good. No marks or dust jacket splits. Minimal use. N° de réf. du vendeur 26010126
Quantité disponible : 1 disponible(s)
Vendeur : Red's Corner LLC, Tucker, GA, Etats-Unis
hardcover. Etat : New. All orders ship by next business day! This is a new book. We are a small company and very thankful for your business! N° de réf. du vendeur 4CNO3I002I47
Quantité disponible : 1 disponible(s)
Vendeur : Arundel Books, Seattle, WA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 4to. - measuring over 10 3/4 in. x 11 in. 199 pp., gray boards with gilt stamped lettering on the front panel and spine. Illustrated throughout with b/w and color reproductions. A lovely copy in Fine condition in a Near Fine dust jacket. N° de réf. du vendeur 626179
Quantité disponible : 1 disponible(s)
Vendeur : Magus Books Seattle, Seattle, WA, Etats-Unis
Hardcover. Etat : VG. Etat de la jaquette : Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. N° de réf. du vendeur 1442351
Quantité disponible : 1 disponible(s)
Vendeur : The Anthropologists Closet, Clive, IA, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : New. New oversized hardcover with gray cloth to boards and gilt lettering to spine and front cover in a new dust jacket. 4to. (11.33 x 10.82 x 0.9 inches) Clean text free of marks or underlining. Exhibition catalog from Amon Carter Museum of American Art and the Saint Louis Art Museum. Color photos and illustrations on heavy glossy paper. Includes an exhibition checklist and an index. 200 pp. Fast shipping in a secure book box mailer with tracking. A new look at George Caleb Bingham's iconic river paintings and his creative process in making them George Caleb Bingham (1811-1879) moved to Missouri as a child and began painting the scenes of Missouri life for which he is now famous in the 1840s. Navigating the West explores how Bingham's iconic river paintings reveal the cultural and economic significance of the massive Mississippi and Missouri waterways to mid-19th-century society. Focusing on the artist's working methods and preparatory drawings, the book also explores Bingham's representations of people and places and situates these images in a dialogue with other contemporary depictions of the region. Of particular note are two landmark essays investigating Bingham's creative process through comparisons of infrared images of 17 of his paintings with both his preparatory drawings and the completed works, casting new light on his previously understudied process. Technical analysis of the artist's lauded masterpiece, Fur Traders Descending the Missouri, reveals Bingham's considerable revisions to the painting. In the concluding essay, the 20th-century revival of the artist's work is discussed within the context of American Regionalism and in light of a shifting sequence of narratives about the nation's past and future. N° de réf. du vendeur 201052
Quantité disponible : 1 disponible(s)