Heugh nancy (33 résultats)

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : New. New copy.

Hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Etat : Very Good. No marks or dust jacket splits. Minimal use.

Hardcover. Etat : VG. Etat de la jaquette : Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. As New 4to. - measuring over 10 3/4 in. x 11 in. 199 pp., gray boards with gilt stamped lettering on the front panel and spine. Illustrated throughout with b/w and color reproductions. A lovely copy in Fine condition in a Fine dust jacket.

Hardcover. Etat : New. Etat de la jaquette : New. New oversized hardcover with gray cloth to boards and gilt lettering to spine and front cover in a new dust jacket. 4to. (11.33 x 10.82 x 0.9 inches) Clean text free of marks or underlining. Exhibition catalog from Amon Carter Museum of American Art and the Saint Louis Art Museum. Color photos and illustrations on heavy glossy paper. Includes an exhibition checklist and an index. 200 pp. Fast shipping in a secure book box mailer with tracking. A new look at George Caleb Bingham's iconic river paintings and his creative process in making them George Caleb Bingham (1811-1879) moved to Missouri as a child and began painting the scenes of Missouri life for which he is now famous in the 1840s. Navigating the West explores how Bingham's iconic river paintings reveal the cultural and economic significance of the massive Mississippi and Missouri waterways to mid-19th-century society. Focusing on the artist's working methods and preparatory drawings, the book also explores Bingham's representations of people and places and situates these images in a dialogue with other contemporary depictions of the region. Of particular note are two landmark essays investigating Bingham's creative process through comparisons of infrared images of 17 of his paintings with both his preparatory drawings and the completed works, casting new light on his previously understudied process. Technical analysis of the artist's lauded masterpiece, Fur Traders Descending the Missouri, reveals Bingham's considerable revisions to the painting. In the concluding essay, the 20th-century revival of the artist's work is discussed within the context of American Regionalism and in light of a shifting sequence of narratives about the nation's past and future.…

Hardcover. Etat : Good.

Hardcover. Etat : Near Fine. Etat de la jaquette : As New. Sealed in the original shrink wrap.

Hardcover. Etat : Near Fine. Near Fine. 11.3 X 10.8 X 0.9 inches; 200 pages.

Hardcover. Etat de la jaquette : New. Demy folio, [27.75cm/11inches], full gilt-embossed grey flannel with mylar-protected dust jacket, pp. 199, indexed. Illustrated with b-w halftones, colour plates &tc. Please feel free to ask for particulars and/or additional photographs. . The Wall Street Journnal noted: "The painting is George Caleb Bingham's "Fur Traders Descending the Missouri" (1845), one of the treasures of the Metropolitan Museum of Art's American collections and a high point of the fascinating exhibition "Navigating the West: George Caleb Bingham and the River," on view at the Met through Sept. 20. Organized by the Amon Carter Museum of American Art, Fort Worth, Texas, and the Saint Louis Art Museum, St. Louis, Mo., the show concentrates on Bingham's images inspired by the waterborne traffic on the Mississippi and Missouri riversin his lifetime, the great highways of the American frontierand the men who worked on the rivers' flatboats and rafts." (by Karen Wilkin Aug. 25, 2015).…

Hardcover. Etat : New. [OVERSIZE AREA] NEW! Factory sealed in shrinkwrap. Head edge of shrinkwrap has a tear. A touch of edgewear to rear panel along head edge. Light bump to fore-edge head corner. Oversized. Clean text -- NO writing, NO highlighting to text.ÂPLEASE NOTE: Domestic US media (standard) US orders ONLY. NO international orders.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. In excellent almost unused condition.

Hardcover with dustjacket, 200 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : New.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

4°, cloth, dustjacket. 200 pp Bump to one edge. Sprache: Englisch Gewicht in Gramm: 2000.

Etat : Neuf.

Etat : New. In English.

Hardcover. Etat : Brand New. 200 pages. 11.50x11.00x1.00 inches. In Stock.

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Yale University Press, New Haven, 2014. 11-14" x 10-3/4", 199 numbered pages. This likely first edition book is in "As New" condition. The exterior is flawless: no corner bumps, edge dings, scrapes, fading or discoloration of any sort. It is bound in one-piece dark gray cloth with gilt lettering on the spine and front panel. This book was created for a 2014 exhibit at both the Amon Carter Museum of American Art and the Saint Louis Art Museum. It is a detailed academic analysis of Bingham's work, with numerous color plates and photos of his drawings. The interior is completely free of writing, stray marks, stains of any sort and page damage of any type. The "As New" quality jacket is also pristine: it is completely free of chips, tears, creases, folds, scrapes or any other sort of damage. It retains its original matte finish.…

Etat : As New. Unread book in perfect condition.