Chuck Close - a man who describes himself as "an artist looking for trouble" - has for three decades consistently but variously challenged the accepted boundaries of the printmaking tradition. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints. Featuring exquisite reproductions of the prints together with essays on Close's career and in-depth interviews with the artist and his master printmakers, the volume blends words and images to give readers unique insight into the creative process.The text highlights the intensely collaborative nature of Close's project and looks into the challenges posed by the unprecedented huge scale he prefers. Close may labor on a single print for as long as two years, working out aesthetic problems that might involve the retrieval of a centuries-old European method on one day and the creation of an entirely new technique (such as applying sunscreen to block light) the next.'Prints have moved me in my unique work more than anything else has,' Close says. 'Prints change the way I think about things'. From the artist's ambitious first mezzotint to his recent pulp-paper multiples, this book chronicles the genius of Chuck Close in the medium in which he has done his most exciting work. Taken together, these prints constitute a remarkable self-portrait of the creative drive, vision, and intellect of one of America's most important living artists.Exhibition schedule include: Blaffer Gallery, the Art Museum of the University of Houston September 13-November 23, 2003; The Metropolitan Museum of Art, New York January 13-April 18, 2004; Miami Art Museum, Florida May 14-August 22, 2004; Knoxville Museum of Art, Tennessee October 29, 2004-March 27, 2005; Mint Museum of Art, Charlotte, North Carolina April 16-August 7, 2005; Addison Gallery of American Art, Andover, Massachusetts September 6-December 4, 2005; Modern Art Museum of Fort Worth, Texas April 16-June 28, 2006; Madison Museum of Contemporary Art in Madison, Wisconsin July 29 - October 6, 2006; Orange County Museum of Art, Newport Beach, CA January 28-April 20, 2007; Boise Art Museum, Idaho May 12-August 11, 2007; and, Portland Art Museum, Oregon September-December 2007.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Terrie Sultan is Director and Chief Curator of Blaffer Gallery, the Art Museum of the University of Houston. Her publications include "Seeing and Believing: The Art of Nancy Burson, Kerry James Marshall," and "Ida Applebroog: Nothing Personal". Richard Shiff is Effie Marie Cain Regents Chair in Art at the University of Texas. The author of "Cezanne and the End of Impressionism", he is coauthor of "Willem de Kooning: Tracing the Figure" (Princeton) and the editor of several other books.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Gate City Books, GREENSBORO, NC, Etats-Unis
Etat : acceptable. USED book in ACCEPTABLE condition. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. Supplemental items such as access codes and CDs not guaranteed. N° de réf. du vendeur GCM.35CF
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Vendeur : HPB-Diamond, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_460208440
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Vendeur : JERO BOOKS AND TEMPLET CO., SANTA MONICA, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First edition. Hardcover with dust jacket. Folio with 159 pages. Signed on the pre-title page, "Terrie Sultan." The book and DJ are in very good condition very slight shelf wear. Interior clean and tight. Black/Yellow & Red text Size: Folio. Signed. Hardcover. N° de réf. du vendeur 028891
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Vendeur : Mainly Books, Silverdale, PA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition; 1st Printing. Large format hardcover with dustjacket, first printing as indicated by the publisher's "1" in the number line on copyright page, this fine gift copy is in excellent condition, there are no remarkable flaws to the book or jacket and a professional (removable) mylar cover is included, "Published to accompany a retrospective of his prints - this is the first comprehensive survey of Close's revolutionary prints," includes a Chronology and a Glossary ; ; 160 pages. N° de réf. du vendeur 050519
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Vendeur : Diatrope Books, Berkeley, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : very good. Unmarked. Unclipped dust jacket with a soft bend on the front and a closed tear on the back. Catalog for traveling exhibition. Glossary. Chronology. Index. 160p. 100 color plates, 38 B/W illustrations. Double gatefold. Measures 9.5x13 inches. Includes interviews with Chuck Close and the printers, Kathan Brown (Crown Point Press) on Mezzotinting, and more. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints. N° de réf. du vendeur 24108
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Vendeur : Voyageur Book Shop, Milwaukee, WI, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Signed on the half-title page. Some corner wear to the dust jacket. K1. Signed by Author(s). N° de réf. du vendeur 021895
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Vendeur : DogStar Books, Lancaster, PA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good+. First Edition; First Printing. 4to 11" - 13" tall; 160 pages; 2003 Princeton University Press. Oversize HC/DJ. 1st edition, 1st printing. Snugly bound and clean in uniformly bright color pictorial dust jacket. Just mild shelf rubbing to jacket edges. Laid in at rear are two loose, tissue guarded color prints of Close's portrait of Bill Clinton. They appear to be a high quality inkjet print on thick art stock paper. I have no idea of the source of these prints, possibly they could have been purchased at the National Portrait Gallery. The book profusely illustrated with process photos and reproductions of prints in color. NF/VG++. N° de réf. du vendeur 53382
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 160 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur ChClPr45
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Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
hardcover. Etat : fine. Etat de la jaquette : near fine. Close, Chuck (illustrateur). Illustrated throughout, some in color, some folding plates. 160 pages. Tall slim 4to, pictorial boards, d.w. Princeton: Princeton University Press & Houston: Blaffer Gallery, (2003). First edition. A fine copy in a near fine dust wrapper. A scarce catalogue. N° de réf. du vendeur 271604
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Vendeur : A&D Books, South Orange, NJ, Etats-Unis
Hardcover. First edition, first printing. Fine/As New hardcover in a Fine/As New dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for a traveling retrospective exhibition of prints made over three decades by Chuck Close. Essays by Terrie Sultan, Richard Shiff, Kathan Brown, Ruth Lingen & Mae Shore & Paul Wong, Robert Blanton & Thomas Little, Yasu Shibata, Karl Hecksher, and Bill Hall & Julia D'Amario; chronology by Alexandra Irvine. 160 pages with 2 gatefolds; 110 color plates + 36 b&w text illustrations; 9.5 x 12.75 inches. Chronology, glossary, tour schedule, index. N° de réf. du vendeur 16858
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