From Richard Wagner and George Lucas to Alfred Hitchcock and Maria Callas, Schroeder provides a fascinating account of one medium on another and demonstrates that opera can be found lurking in the background of a wide range of films.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways some predictable, some unexpected, and some bizarre in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.
David Schroeder holds a PhD from Cambridge University, and is Professor Emeritus at Dalhousie University, Canada. His books include Haydn and the Enlightenment (Oxford UP, 1990), Mozart in Revolt (Yale UP, 1999), Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film (Continuum, 2002/Bloomsbury, 2016), and Our Schubert: His Enduring Legacy (Scarecrow, 2008).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Paperback. Etat : Very Good. N° de réf. du vendeur mon0002900916
Quantité disponible : 2 disponible(s)
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
paperback. Etat : Used-Very Good. Reprint. Some shelf-wear. Else clean copy. N° de réf. du vendeur 1740174
Quantité disponible : 1 disponible(s)
Vendeur : Lexington Books Inc, Idaho Falls, ID, Etats-Unis
Paperback. Etat : Very Good. Very Good; Contents are tight and clean; Soft Cover; The Continuum International; 2003; 0. N° de réf. du vendeur 58623
Quantité disponible : 1 disponible(s)
Vendeur : Chaparral Books, Portland, OR, Etats-Unis
Paperback. Etat : Very Good. Crisp, very clean, sharp-cornered softbound book, very lightly read if at all. N° de réf. du vendeur CHAPschCIO
Quantité disponible : 1 disponible(s)
Vendeur : Second Site Books, Chicago, IL, Etats-Unis
Soft cover. Etat : Near Fine. This book is very close to FINE. Discounted price due to winkled back cover and uneven surface. Spine is still tight , book is clean. From Richard Wagner and George Lucas to Alfred Hitchcock and Maria Callas, Schroeder provides a fascinating account of the entire absorbing history of the interdependence of opera and film, demonstrating how opera can be found lurking in the background of a wide range of films.The allure of opera to cinema early in the century held up through the silent era, into sound films, through the golden age of movies, and into the most recent approaches to moviemaking. Cinema's Illusions, Opera's Allure explores the numerous ways - some predictable, some unexpected, and some bizarre - that this has happened. N° de réf. du vendeur 001003
Quantité disponible : 1 disponible(s)
Vendeur : Paisleyhaze Books, New Hartford, CT, Etats-Unis
Soft cover. Etat : As New. Continuum trade paperback, 2005, unused and carefully stored, No remainder marks/creases or other defects (as New). We will bubble-wrap the book and ship it in a New BOX NOT a plastic bag like the zombie sellers. N° de réf. du vendeur 73530
Quantité disponible : 1 disponible(s)
Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. N° de réf. du vendeur rev1960799614
Quantité disponible : 1 disponible(s)
Vendeur : Trinders' Fine Tools, Clare, Sudbury, Royaume-Uni
Soft cover. Etat : Near Fine. Etat de la jaquette : None. First Paperback Edition. xii, 372 pages, 21 monochrome illustrations. N° de réf. du vendeur 005833
Quantité disponible : 1 disponible(s)
Vendeur : Lawrence Jones Books, Ashmore, QLD, Australie
Soft Cover. Etat : Very Good. First Paperback. xii, 372pp, index, notes, bw ills. Or card. Near new. The influence of opera on filmmaking from its earliest days to the present. Size: 8vo. N° de réf. du vendeur 040961
Quantité disponible : 1 disponible(s)
Vendeur : Cronus Books, Carson City, NV, Etats-Unis
paperback. Etat : New. * NEW Inside and Out! Clean & Crisp Pages. (E-mail for more info./pics). N° de réf. du vendeur 230327004
Quantité disponible : 1 disponible(s)