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9780919616424: Complete Writings 1959-1975: Gallery Reviews, Book Reviews, Articles, Letters To The Editor, Reports, Statements, Complaints

Synopsis

Donald Judd Donald Judd's uncompromising art reviews avoid the familiar generalizations so often associated with the styles emerging during the 1950s and 1960s. This book is not a mere survey of the art produced and exhibited during that period. Instead, Judd discusses in detail the work of more than five hundred artists showing in New York at that time and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. The ess...

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Présentation de l'éditeur

Originally published in 1975, reprinted in 2005 and out of print for many years, this collection of Donald Judd s writings is now a sought after classic. His uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kazimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland and Claes Oldenburg. His classic 1965 Specific Objects essay, a discussion of sculptural thought in the 1960s, is included alongside the notorious polemical essay Imperialism, Nationalism, Regionalism and much else.

Biographie de l'auteur

Donald Judd was born in 1928. Convinced that Abstract Expressionism had deteriorated into fakery, Judd began around 1960 to search for an art free of falsehood. In search of a greater simplicity and clarity, he evolved a formal vocabulary of identical rectangular units constructed of industrial materials. He died in 1994.

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Judd, Donald
Edité par NYU Press, 2005
ISBN 10 : 0919616429 ISBN 13 : 9780919616424
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Soft cover. Etat : Near Fine. A couple of tiny soil marks to the yellow paper wraps else a fine copy, entirely free of any former owner marking. N° de réf. du vendeur 20-10 RBB art american yellow wraps Ama

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Softcover. textured yellow wraps w/ black printing. 227 pgs w/ bw illustrations. "Donald Judd's uncompromising reviews avoid the familiar generalizations so often associated with the styles emerging during the 1950s and 60s. This book is not a mere survey of the art produced and exhibited during that period. Instead, Judd discusses in detail the work of more than five hundred artists showing in New York at that time and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. The essay "Specific Objects" (1965), which by now has to be considered as one of the essential discussions of sculptural thought in the 60s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism" (1975), published here for the first time. Three hundred reproductions as well as an extensive index accompany the text."--WorldCat. VG (light scuffs & scratches to wraps; rubbing to corners.). N° de réf. du vendeur 191533

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ISBN 10 : 0919616429 ISBN 13 : 9780919616424
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Donald Judd
ISBN 10 : 0919616429 ISBN 13 : 9780919616424
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240 pp.; 28 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Originally published in 1975, this collection of Donald Judd's writings is a sought-after classic. His uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 60s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Very Good. Light dusting of covers with 2.5 cm. and 6 mm. light soiling to recto and very light bumping of bottom edge of publication. 3 mm. tear to top edge of page 163, contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. N° de réf. du vendeur 38301

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ISBN 10 : 0919616429 ISBN 13 : 9780919616424
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Judd, Donald
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(JUDD, DONALD). Judd, Donald
ISBN 10 : 0919616429 ISBN 13 : 9780919616424
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Printed Wrappers. Etat : Fine. Second Edition (First Thus). 232pp, profusely illustrated in b&w. Text in English. Published by The Press of Nova Scotia College of Art and Design in collaboration with New York University Press, this is the first of two volumes of the complete writings - gallery reviews, book reviews, articles, letters to the editor, reports, statements, and complaints - dating from the years 1975-1986 by the late, great Minimalist giant Donald Judd. "These uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than five hundred artists showing in New York at that time, and provides a critical account of this significant era in American art". A bright, most handsome example of the uncommon 2005 second edition of this vital document. Artist Monograph. N° de réf. du vendeur 025101

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