As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable concept--throughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends.
With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reach--from ancient literature to contemporary race relations and beyond--this colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Larry F. Norman is the Frank L. Sulzberger Professor in the Department of Romance Languages and Literatures at the University of Chicago.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable conceptthroughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends. With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reachfrom ancient literature to contemporary race relations and beyondthis colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category. "Published on the occasion of the exhibition Classicisms, curated by Larry F. Norman and Anne Leonard, organized by the Smart Museum of Art, the University of Chicago, and presented February 16, 2017-June 11, 2017"--Colophon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780935573572
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Paperback. Etat : New. As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable concept throughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends. With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reach from ancient literature to contemporary race relations and beyond this colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category. N° de réf. du vendeur LU-9780935573572
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