Classicisms (48 résultats)

Soft cover. Etat : Very Good. Copyright Date: 1990 Sm Quarto, Autumn 1990, PP.30-37 0f 88. Color Photos, Drawings (illustrateur).

Etat : very_good.

Etat : New. Brand New.

Softcover. Etat : Very Good. Exhibition catalogue. 184 pages. Solid VG softcover, except for gift inscription. Clean, spine not broken.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : new. Paperback. As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable conceptthroughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends. With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reachfrom ancient literature to contemporary race relations and beyondthis colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category. "Published on the occasion of the exhibition Classicisms, curated by Larry F. Norman and Anne Leonard, organized by the Smart Museum of Art, the University of Chicago, and presented February 16, 2017-June 11, 2017"--Colophon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. 2017. Illustrated. paperback. . . . . .

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable concept throughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends. With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reach from ancient literature to contemporary race relations and beyond this colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category.…

Etat : New. pp. 184.

Etat : New. 2017. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : Brand New. 184 pages. 11.00x8.00x0.40 inches. In Stock.

Etat : New. In English.

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Etat : New. pp. 184.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Paperback. Etat : new. Paperback. As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable conceptthroughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends. With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reachfrom ancient literature to contemporary race relations and beyondthis colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category. "Published on the occasion of the exhibition Classicisms, curated by Larry F. Norman and Anne Leonard, organized by the Smart Museum of Art, the University of Chicago, and presented February 16, 2017-June 11, 2017"--Colophon. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Etat : Neu. Neuware.

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Hardcover. Etat : Very Good. 2020 OUP hardcover edition. Light reading wear else very good condition. The historical and cultural space of the Black Atlantic - a diasporic world of forced and voluntary migrations - has long provided fertile ground for the construction and reconstruction of new forms of classicism. From the aftermath of slavery up to the present day, black authors, intellectuals, and artists in the Atlantic world have shaped and reshaped the cultural legacies of classical antiquity in a rich variety of ways in order to represent their identities and experiences and reflect on modern conceptions of race, nation, and identity. The studies presented in this volume range across the Anglophone, Francophone, and Hispanophone worlds, including literary studies of authors such as Derek Walcott, Marlene NourbeSe Philip, and Junot Diaz, biographical and historical studies, and explorations of race and classicism in the visual arts. They offer reflections on the place of classicism in contemporary conflicts and debates over race and racism, and on the intersections between classicism, race, gender, and social status, demonstrating how the legacies of ancient Greece and Rome have been used to buttress racial hierarchies, but also to challenge racism and Eurocentric reconstructions of antiquity. Contents: Introduction Ian Moyer, Adam Lecznar, and Heidi Morse Part I. Wakes 1. Middle Passages: Mediating Classics and Radical Philology in Marlene NourbeSe Philip and Derek Walcott Emily Greenwood 2. Nero, the mustard! The Ironies of Classical Slave Names in the British Caribbean Margaret Williamson 3. Athens and Sparta of the New World: The Classical Passions of Santo Domingo Dan-el Padilla Peralta Part II. Journeys 4. In Search of Henry Alexander Saturnin Hartley, Black Classicist, Clergyman, and Physician Michele Valerie Ronnick 5. Roman Studios: The Black Woman Artist in the Eternal City, from Edmonia Lewis to Carrie Mae Weems Heidi Morse 6. Africana Andromeda: Contemporary Painting and the Classical Black Figure Kimathi Donkor Part III. Tales 7. The Tragedy of Aimé Césaire Adam Lecznar 8. Bernardine Evaristo's The Emperor's Babe: An Account of Roman London from the Black British Perspective Tracey L. Walters 9. Myth and the Fantastic in the Work of Junot Díaz Justine McConnell 10. Classics for All? Liberal Education and the Matter of Black Lives Patrice D. Rankine.…

Paperback. Etat : New. As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable concept throughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends. With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reach from ancient literature to contemporary race relations and beyond this colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category.…

Etat : New. Brand New.

Etat : New.

Hardcover. Etat : new. Hardcover. The historical and cultural space of the Black Atlantic - a diasporic world of forced and voluntary migrations - has long provided fertile ground for the construction and reconstruction of new forms of classicism. From the aftermath of slavery up to the present day, black authors, intellectuals, and artists in the Atlantic world have shaped and reshaped the cultural legacies of classical antiquity in a rich variety of ways in order to represent their identities andexperiences and reflect on modern conceptions of race, nation, and identity. The studies presented in this volume range across the Anglophone, Francophone, and Hispanophone worlds, including literarystudies of authors such as Derek Walcott, Marlene NourbeSe Philip, and Junot Diaz, biographical and historical studies, and explorations of race and classicism in the visual arts. They offer reflections on the place of classicism in contemporary conflicts and debates over race and racism, and on the intersections between classicism, race, gender, and social status, demonstrating how the legacies of ancient Greece and Rome have been used to buttress racial hierarchies, but also tochallenge racism and Eurocentric reconstructions of antiquity. Classicisms in the Black Atlantic explores how black authors and artists in the Atlantic world have shaped and reshaped the cultural legacies of classical antiquity from the aftermath of slavery up to the present day to represent black voices and experiences, often revealing in the process effaced black presences in classical antiquity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Etat : New.