Articles liés à Composition (Classic Reprint)

Composition (Classic Reprint) - Couverture souple

John Stainer

 
9781330377222: Composition (Classic Reprint)

Synopsis

The digital edition of all books may be viewed on our website before purchase. Excerpt from Composition (Classic Reprint)



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Forgotten Books publishes hundreds of thousands of rare and classic books.

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.The digital edition of all books may be viewed on our website before purchase.

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Présentation de l'éditeur

This little work is only intended for beginners. It is a collection of hints both to masters and pupils as to the course which should be pursued in the hrst steps towards the art of Composition.

Any child or young person who has thoroughly mastered the author's "Harmony Primer" will be quite capable of commencing this book immediately. In extenuation of the many shortcomings which will no doubt be discovered in it by competent critics, the author wishes to plead that he has attempted to work out his scheme without following or imitating any previous writer. He has purposely omitted any concise or definite rules on modulation, because he conceives that it is better that it should be learned in the process of harmonising melodies than by " short-cuts " committed to memory. Pupils who have been made familiar with such "short-cuts " usually jump into a new key by their means, and fail to master that gentle and interesting leaning towards the new tonality which is so characteristic a portion of the best type of modulation.

Experienced masters will, it is hoped, substitute other exercises, or add to those already given, whenever they may consider such changes beneficial to their pupils. The examples have been taken from works within easy reach of all, in order that pupils may be able to examine the context.

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Areas Covered:

CHAPTER I. First Steps — How to write down music from dictation

CHAPTER II. How to harmonise, one note of melody, two notes (with final tonic chord), four notes

CHAPTER III. How to harmonise the degrees of the major scale when in a melody — Final cadences

CHAPTER IV. How to harmonise the degrees of the minor scale when used in a melody — Final cadences — Exercises — Table of harmonies of the major scale; of the minor scale

CHAPTER V. Melody — Outline and rhythm — Contrast and parallelism — Simple form of sentence — Responsive section — Extension of sentences — Analysis of a motive or theme — Middle cadences

CHAPTER VI. Rhythm — Its nature and function — Simplest form of rhythm — Progressive forms of rhythm — Silence in rests a portion of rhythm — Combination of rhythms — Polyphonic music often polyrhythmic — Expansion of rhythm — Sentences may commence at any portion of a bar — Exercises on rhythm

CHAPTER VII. Sentences are of various lengths — Links between sentences — Preliminary announcement of rhythm sometimes external to sentence — Combinations of principal rhythms — Phrasing — Combination of principal and subordinate rhythms — Accompaniments

CHAPTER VIII. Broken harmony — Hints as to grammar — Exercises — Analysis of simple song-forms — Introductions to songs — First attempt at pure instrumental writing

CHAPTER IX. Concise account of sonata-form — Development ; its nature — Exercises — Analyses of various movements — Conclusion

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