Rhythm in Postdramatic Performance Process: Voyages into the Work of Mime Omnibus, Dairakudakan and SITI Company - Couverture rigide
Synopsis
Combining theory and historiography, this book presents a new consideration for rhythm in postdramatic performance by examining the creative processes of three major companies: Mime Omnibus, Dairakudakan, and SITI Company.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Sebastian Samur is a multilingual performer and postdoctoral fellow at the University of Toronto's Centre for Drama, Theatre and Performance Studies, Canada. His writing can be found in Theatre Research in Canada, Asian Theatre Journal, Canadian Theatre Review, Stanislavski Studies and Jeu, among other publications.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Rhythm in Postdramatic Performance Process: Voyages into the Work of Mime Omnibus, Dairakudakan and SITI Company (Reflections on Contemporary Performance Process)
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Rhythm in Postdramatic Performance Process : Voyages into the Work of Mime Omnibus, Dairakudakan and Siti Company
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Rhythm in Postdramatic Performance Process
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Bloomsbury Academic, 2025
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Rhythm in Postdramatic Performance Process: Voyages into the Work of Mime Omnibus, Dairakudakan and SITI Company (Reflections on Contemporary Performance Process)
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Rhythm in Postdramatic Performance Process : Voyages into the Work of Mime Omnibus, Dairakudakan and Siti Company
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Methuen Drama, 2025
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Rhythm in Postdramatic Performance Process : Voyages into the Work of Mime Omnibus, Dairakudakan and Siti Company
Edité par
Methuen Drama, 2025
ISBN 10 : 1350406422
ISBN 13 : 9781350406421
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Rhythm in Postdramatic Performance Process (Hardcover)
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ISBN 10 : 1350406422
ISBN 13 : 9781350406421
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Hardcover. Etat : new. Hardcover. Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on rhythmanalysis, bringing distinctive and insightful attention to rhythm as permeating key areas of performance process.By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company. Combining theory and historiography, this book presents a new consideration for rhythm in postdramatic performance by examining the creative processes of three major companies: Mime Omnibus, Dairakudakan, and SITI Company. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781350406421
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Rhythm in Postdramatic Performance Process (Hardcover)
Edité par
Bloomsbury Publishing PLC, London, 2025
ISBN 10 : 1350406422
ISBN 13 : 9781350406421
Neuf
Couverture rigide
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Hardcover. Etat : new. Hardcover. Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on rhythmanalysis, bringing distinctive and insightful attention to rhythm as permeating key areas of performance process.By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company. Combining theory and historiography, this book presents a new consideration for rhythm in postdramatic performance by examining the creative processes of three major companies: Mime Omnibus, Dairakudakan, and SITI Company. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781350406421
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