ISBN: 9781350406421 - rhythm in postdramatic performance process: voyages into the work of mime omnibus, dairakudakan and siti company (13 résultats)

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  • Langue : anglais

    Edité par Methuen Drama, 2025

    1350406422 / 9781350406421

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  • Langue : anglais

    Edité par Methuen Drama, 2025

    1350406422 / 9781350406421

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  • Langue : anglais

    Edité par Methuen Drama, 2025

    1350406422 / 9781350406421

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  • Langue : anglais

    Edité par Methuen Drama, 2025

    1350406422 / 9781350406421

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    Vendeur : GreatBookPricesUK, Woodford Green, Royaume-UniGreatBookPricesUK

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    EUR 126,18

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  • Langue : anglais

    Edité par Bloomsbury Publishing PLC, GB, 2025

    1350406422 / 9781350406421

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    Vendeur : Rarewaves.com USA, London, LONDO, Royaume-UniRarewaves.com USA

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    Hardback. Etat : New. Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on 'rhythmanalysis', bringing distinctive and insightful attention to rhythm as permeating key areas of performance process.By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company.…

  • Langue : anglais

    Edité par Bloomsbury Methuen Drama, 2025

    1350406422 / 9781350406421

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    Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books

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    Etat: Neuf

    EUR 192,00

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    Hardcover. Etat : Brand New. 240 pages. 9.21x6.14x1.00 inches. In Stock.

  • Langue : anglais

    Edité par Bloomsbury Publishing PLC, GB, 2025

    1350406422 / 9781350406421

    • Couverture rigide

    Vendeur : Rarewaves.com UK, London, Royaume-UniRarewaves.com UK

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    Etat: Neuf

    EUR 141,76

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    Hardback. Etat : New. Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on 'rhythmanalysis', bringing distinctive and insightful attention to rhythm as permeating key areas of performance process.By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company.…

  • Langue : anglais

    Edité par Bloomsbury Academic, 2025

    1350406422 / 9781350406421

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    EUR 114,48

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    HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

  • Langue : anglais

    Edité par Bloomsbury Academic, 2025

    1350406422 / 9781350406421

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    HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

  • Langue : anglais

    Edité par Bloomsbury Publishing PLC, London, 2025

    1350406422 / 9781350406421

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    Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-UnisGrand Eagle Retail

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    Hardcover. Etat : new. Hardcover. Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on rhythmanalysis, bringing distinctive and insightful attention to rhythm as permeating key areas of performance process.By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company. Combining theory and historiography, this book presents a new consideration for rhythm in postdramatic performance by examining the creative processes of three major companies: Mime Omnibus, Dairakudakan, and SITI Company. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Langue : anglais

    Edité par Bloomsbury Publishing PLC, London, 2025

    1350406422 / 9781350406421

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    Vendeur : CitiRetail, Stevenage, Royaume-UniCitiRetail

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    EUR 121,98

    EUR 44,26 expédition 
    Expédition depuis Royaume-Uni vers Etats-Unis

    Quantité disponible : 1 disponible

    Hardcover. Etat : new. Hardcover. Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on rhythmanalysis, bringing distinctive and insightful attention to rhythm as permeating key areas of performance process.By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company. Combining theory and historiography, this book presents a new consideration for rhythm in postdramatic performance by examining the creative processes of three major companies: Mime Omnibus, Dairakudakan, and SITI Company. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Langue : anglais

    Edité par Methuen Drama, 2025

    1350406422 / 9781350406421

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    EUR 134,50

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    Buch. Etat : Neu. Rhythm in Postdramatic Performance Process | Voyages into the Work of Mime Omnibus, Dairakudakan and SITI Company | Sebastian Samur | Buch | Englisch | 2025 | Methuen Drama | EAN 9781350406421 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

  • Langue : anglais

    Edité par Methuen Drama, 2025

    1350406422 / 9781350406421

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    Vendeur : AHA-BUCH GmbH, Einbeck, AllemagneAHA-BUCH GmbH

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    Etat: Neuf

    EUR 174,70

    EUR 35,00 expédition 
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    Quantité disponible : 1 disponible

    Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on 'rhythmanalysis', bringing distinctive and insightful attention to rhythm as permeating key areas of performance process.By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company. …