Présentation de l'éditeur
Das deutsche Lied 1st einzig, Ein Schats filr Geist und Herz, Gehoben aus den Tiefen, Wo Freude wohnt und Schmerz. Kein andres Volk auf Erden Genosz des Schicksals Gunst, Soldi einen Schat 2zu sammeln, Reich an Natur und Kunst So far as is known to the writer of this thesis there has appeared hitherto no attempt to treat comprehensively and in detail the subject of the direct and indirect influence of Paul Gerhardt shymns upon English and American sacred song. That there exists a very real influence is universally known, but how widely it has made itself felt is apparently a matter of little concern on the part of many, because we often find hymnals accrediting a hymn to the English translator with no mention of its original author. The present dissertation has been prompted by a desire to make some contribution to the subject of the relation of English and German hymnody in general, and in particular to show the great debt which the hymnody of England and America owes to the poetry of Paul Gerhardt. It was presented to the Faculty of the Graduate School of Yale University in candidacy for the degree of Doctor of Philosophy in June, 1917. For great assistance rendered to me by way of suggestion of sources I am under obligation to Dr. Bernard C. Steiner of the Enoch Pratt Free Library of Baltimore, Professor Gustav Gruener of Yale University, Professor Waldo S. Pratt of the Hartford Theological Seminary, Professor H. C. G. von Jagemann of Harvard University and to Professor John G. Robertson of the University of London; for help not only in this phase Stanza i of Das Deutsche Lied, a poem of six stanzas by Professor A. H.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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