Display and Displacement Sculpture and the Pedestal from Renaissance to Post-Modern (1550-2000) Edited by Dr Alexandra Gerstein The relationship between sculpture and pedestal is at the intersection of a number of art-historical disciplines, ranging from the history of design, architecture and urbanism to museum studies, yet because of its supporting role it has remained a largely neglected and unstudied field. This book will show how rich a seam it is for investigation. Essays range from 16th-century Venice to 21st-century London, and provide a fascinating variety of approaches to the issue. Each essay is a focused exploration into the making, placing or abandonment of the pedestal, plinth or socle within a particular context. Among the topics under study are the display and reception of sculpture (with or without bases), and the displacement or mediation of sculptural meaning through inscriptions, ornament and other devices. While approaches differ, the essays all consider particular moments in the history of the relationship between sculpture and pedestal. Topics include: Alessandro Vittoria's socles (Victoria Avery); plinths in mid-18th-century sculpture (Malcolm Baker); pedestals in Early Modern France (Etienne Jollet); the vicissitudes of public sculpture (Sue Malvern); pedestal verse and inscriptions (Alison Yarrington); pictorialism and the pedestal of Nelson's column in Trafalgar Square (Philip Ward-Jackson); Alberto Giacometti and Jacob Epstein's Fallen Women: the gender of horizontality and the abandonment of the pedestal in 1932 (David Getsy); contemporary explorations of the gallery plinth (Jon Wood). This collection of essays is based on papers from two symposia entitled 'Sculpture and the Pedestal', which took place at the University of Reading in January 2002 and at the Courtauld Institute of Art in June 2003, but also includes specially commissioned papers by authorities in the field. 60 illustrations
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Vendeur : Lacey Books Ltd, Cirencester, Royaume-Uni
Hardcover. Etat : Fair. Etat de la jaquette : Fair. 2006 Paul Holberton Publishing hardcoveer edition. Ex library copy with stamps and labels else good condition. Contents: Introduction by Alexandra Gerstein; Chapter 1: Alessandro Vittoria's Socles: Shaping and Naming by Victoria Avery; Chapter 2: Objet d'attention. L'interet pour le support en France a l'epoque moderne by Etienne Jollet; Chapter 3: Playing with Plinth's in Eighteenth-century Sculpture by Malcolm Baker; Chapter 4: The Poetics of Sculpture: Pedestal, Verse and Inscription by Alison Yarrington; Chapter 5: 'Is the Pedestal to be the Capital part of it?': Pictorialism and the Pedestal of Nelson's Column in Trafalgar Square by Philip Ward-Jackson; Chapter 6: Fallen Women: The Gender of Horizontality and the Abandonment of the Pedestal by Giacometti and Epstein by David J. Getsy; Chapter 7: The Fourth Plinth or the Vicissitudes of Public Sculpture by Sue Malvern; Chapter 8: Homage, Double Act and Decoy: Three Contemporary Considerations of the Art Gallery Plinth by Jon Wood. N° de réf. du vendeur 7U-L5SQ-G8S2
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. The relationship between sculpture and pedestal is at the intersection of a number of art-historical disciplines, ranging from the history of design, architecture, and urbanism to museum studies, yet because of its supporting role it has remained a largely neglected and unstudied field. This book includes essays ranging from sixteenth-century Venice to twenty-first-century London that provide a fascinating variety of approaches to the issue. N° de réf. du vendeur 89804
Quantité disponible : 1 disponible(s)