Andreas Dresen is a leading European filmmaker whose ; oeuvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments ; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany's east.
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Julian Preece is Professor of German at Swansea University and author and editor of numerous books on twentieth- and twenty-first-century German literature. He is the director of the Swansea Centre for Contemporary German Culture. Nick Hodgin is Lecturer in German at the University of Sheffield and has published widely on East German culture, especially film. His new projects include a cultural history of the GDR, essays on East German architecture and on documentary film culture of the Cold War.
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Paperback. Etat : New. Andreas Dresen is a leading European filmmaker whose ouvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany's east. N° de réf. du vendeur LU-9781906165680
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Etat : New. Editor(s): Preece, Julian; Hodgin, Nick. Series: Contemporary German Writers & Filmmakers. Num Pages: 260 pages, 23. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 22. Weight in Grams: 398. . 2016. New edition. Paperback. . . . . N° de réf. du vendeur V9781906165680
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Andreas Dresen is a leading European filmmaker whose oeuvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany's east. 276 pp. Englisch. N° de réf. du vendeur 9781906165680
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Etat : New. Editor(s): Preece, Julian; Hodgin, Nick. Series: Contemporary German Writers & Filmmakers. Num Pages: 260 pages, 23. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 22. Weight in Grams: 398. . 2016. New edition. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781906165680
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Andreas Dresen is a leading European filmmaker whose oeuvre now spans three decades, including films such as Sommer vorm Balkon (Summer in Berlin, 2005). This collection of essays places him in the tradition of auteur cinema while emphasisi. N° de réf. du vendeur 135495848
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