Hodgin nick (89 résultats)

Paperback. Etat : New. Screening the East considers German filmmakers' responses to unification. In particular, it traces the representation of the East German community in films made since 1989 and considers whether these narratives challenge or reinforce the notion of a separate East German identity. The book identifies and analyses a large number of films, from internationally successful box-office hits, to lesser-known productions, many of which are discussed here for the first time. Providing an insight into the films' historical and political context, it considers related issues such as stereotyping, racism, regional particularism and the Germans' confrontation with the past.…

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Very Good. 1st Edition. 272pp hardback, laminated boards, illustrated.

Etat : Good. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781906165680.

Paperback. Etat : Brand New. reprint edition. 222 pages. 9.00x6.00x0.75 inches. In Stock.

Etat : New.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Screening the East considers German filmmakers' responses to unification. In particular, it traces the representation of the East German community in films made since 1989 and considers whether these narratives challenge or reinforce the notion of a separate East German identity. The book identifies and analyses a large number of films, from internationally successful box-office hits, to lesser-known productions, many of which are discussed here for the first time. Providing an insight into the films' historical and political context, it considers related issues such as stereotyping, racism, regional particularism and the Germans' confrontation with the past.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Andreas Dresen is a leading European filmmaker whose ouvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany's east.…

Etat : New. &Uumlber den Autorrnrnn Nick Hodgin teaches German and Film Studies at the University of Lancaster (UK). He has published widely on German film and German cultural studies, including the co-edited volume on GDR culture, .

paperback. Etat : New.

Etat : New. In English.

Etat : New. Editor(s): Preece, Julian; Hodgin, Nick. Series: Contemporary German Writers & Filmmakers. Num Pages: 260 pages, 23. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 22. Weight in Grams: 398. . 2016. New edition. Paperback. . . . .

Hardcover. Etat : New. New. Pristine, unmarked. Pictorial boards; no jacket as issued. Illustrated with 22 production stills. Terrific study of post-unification German cinema, most of the films virtually unknown in the USA. The author's thorough knowledge of the subject provides rich details of the various genres and styles. Among the many titles discussed are Go Trabi Go, Herzsprung, Ostkreuz, Kleinruppin Forever, Goodbye Lenin!, Stilles Land, Burning Life, and Der Schuh des Manitu (Manitou's Shoe), a parody of the East German DEFA westerns based on Karl May's novels. // Shipped carefully packed in a sturdy box.…

Hardcover. Etat : Very Good. 2018 Brill hardcover edition. Light reading wear else very good condition. From the cover: Since the tumultuous events of 1989/1990, writers, cultural practitioners and academics have responded to, reconstructed and reflected upon the process and enduring impact of German reunification. This bilingual volume provides a nuanced understanding of the literature and culture of the GDR and its legacy today. It explores a broad range of genres, combines perspectives on both lesser-known and more established writers, and juxtaposes academic articles with the personal reflections of those who directly experienced and engaged with the GDR from within or beyond its borders. Whether creative practitioners or academics, contributors consider the broader literary and intellectual contexts and traditions shaping GDR literature and culture in a way that enriches our understanding of reunification and its legacy. Contents: 1. The Enduring Legacy of GDR Literature and Culture: An Introduction' by Jean E. Conacher, Deirdre Byrnes and Gisela Holfter; 2. 'Like a Dream': Film, Fears, Fantasies and Nightmares of the Wende' by Nick Hodgin; 3. 'Wir alle blicken jetzt auf uns zuruck': Revisiting the Portrayal of the Wende in Botho Strauss's Drama Schluschor' by Marieke Krajenbrink; 4. 'Ruckblick auf die Grenzfallgedichte: Volker Brauns Weg vom Nachruf (1990) zur dramatischen Dichtung Demos (2015)' by Anna Chiarloni; 5. 'Capturing the Zeitgeist: On Human Experience and Personal Historiography in Helga Konigsdorf's 1989 oder Ein Moment Schonheit' by Jean E. Conacher; 6. 'Wir waren die Geschichte': Erinnerungen an die DDR und den Herbst 1989 in zwei kinder- und jugendliterarischen Texten' by Corina Lowe; 7. 'Nach einem Lenz, der sich nur halb entfaltet': Aspects of the Reception of Uwe Johnson's Ingrid Babendererde' by Hugh Ridley; 8. 'Tarzan im zerborstenen Ruckspiegel: Gedachtnis und Gedenken bei Adolf Endler' by Robert Gillett and Astrid Kohler; 9. 'Zwischen Kyffhauser und Plattenbau: Ruckblicke und Vergangenheitskonstruktionen in Horspielen und Features von Jens Sparschuh' by Frank Thomas Grub; 10. 'The Radio Transcending Boundaries and Historical Narratives in Lutz Seiler's Poetry and in his Novel Kruso' by Sabine Egger; 11. 'Frank Hornigks Erinnerungen an die Neuformierung der Berliner Wissenschaftslandschaft nach 1989 mit einer Einfuhrung von Jochen Hennig'; 12. 'Es war, als hatte man eine grosse Kaseglocke von uns genommen Reflexionen von Kathrin Schmidt'; 13. 'Theater in einem uneinig vereinigten Land Reflexionen von Reinhard Kuhnert'; 14. 'Es wird vieles verklart und nostalgisch geschont oder scherzhaft verharmlost Reflexionen von Katja Lange-Muller'; 15. '(Selbst)kritischer Ruckblick auf den Umgang mit der DDR-Literatur - und Pladoyer fur deren Aktualitat Reflexionen von Hannes Krauss'; 16. 'Der Schlussel liegt im kleinen Engagement Jeannine Jud im Gesprach mit Therese Hornigk'.…

Etat : New. Editor(s): Preece, Julian; Hodgin, Nick. Series: Contemporary German Writers & Filmmakers. Num Pages: 260 pages, 23. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 22. Weight in Grams: 398. . 2016. New edition. Paperback. . . . . Books ship from the US and Ireland.…

Etat : New.

Hardback. Etat : New. Competing representations of the former East German state in the German cultural memory.Twenty years after the fall of the Berlin Wall, the consequences of the country's divided past continue to be debated. The legacy of the German Democratic Republic occupies a major role in German popular culture, with audiences flocking to films claiming to depict the East German state "as it was." Politicians from both left and right make use of its legacy to support their parties' approach to unification, while former citizens of the GDR are still working through their own memories of the regime and adjusting to unification. Since 1989, competing representations of the East German state have emerged, some underlining its repressive nature, others lamenting the loss of asense of community. The twentieth anniversary of the Wende is an occasion to reflect upon both the history of the GDR and the ways in which it has been remembered, and the present volume presents new research on the theme from a variety of perspectives, with sections on film and literature, museums and memorials, and historiography and politics. Contributors: Thomas Ahbe, Pertti Ahonen, Silke Arnold-de Simine, Stefan Berger, Laura Bradley, Mary Fulbrook, Nick Hodgin, Anna O'Driscoll, Stuart Parkes, Caroline Pearce, Günter Schlusche, Peter Thompson, Andreas Wagner. Nick Hodgin is a Cultural Historian working at the University of Sheffield, UK, and Caroline Pearce is Lecturer in German and Interpreting, also at the University of Sheffield.…

hardcover. Etat : New. Scars and Wounds: Film and Legacies of Trauma Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.

Hardback. Etat : New. ".contains useful and nuanced readings of the best-known films dealing with themes related to unification, as well as highlighting some equally interesting lesser-known works, in order to provide a rounded picture of German cinema's engagement with these issues in the past 17 years. I am not aware of any other publication that covers such a range of material and this in itself makes the book a valuable contribution to the field." * David Clarke, University of Bath "This is an extremely rich study of the representation of east German identity and the former GDR in post-unification cinema. The author clearly has an encyclopaedic knowledge of the films of this period .Hodgin's book breaks genuinely new ground." * Sean Allan, University of Warwick "The book reveals an excellent knowledge of German culture and cinema, and combines methodological soundness with an ability to talk about films in a lively way free of jargon. Screening the East should not be missed by anybody interested in German cinema and culture, as well as cinema as discourse on history and space."* Ewa Mazierska, University of Central Lancashire "Screening the East provides insightful readings of contemporary classics such as Good Bye, Lenin! and The Lives of Others alongside films which complement these popular memories of life on the other side of the Wall by an eastern and, arguably, more authentic perspective. Surveying the post-Wall cinematic landscape from a number of different critical vantage points, Hodgin proposes that DEFA's legacy has not been obliterated but has evolved into a surprisingly diverse film culture. This is an engaging and important contribution to German cinema and cultural studies, providing a wealth of contextual detail." * Daniela Berghahn, Reader in Film Studies, Royal Holloway, University of London Screening the East considers German filmmakers' responses to unification. In particular, it traces the representation of the East German community in films made since 1989 and considers whether these narratives challenge or reinforce the notion of a separate East German identity.The book identifies and analyses a large number of films, from internationally successful box-office hits, to lesser-known productions, many of which are discussed here for the first time. Providing an insight into the films' historical and political context, it considers related issues such as stereotyping, racism, regional particularism and the Germans' confrontation with the past.…

Etat : New.

Etat : New.

Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Andreas Dresen is a leading European filmmaker whose oeuvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany's east.…

Etat : New.

Etat : New.