This lavishly illustrated volume is the first comprehensive study of the folk art collection purchased by the New-York Historical Society from Elie and Viola Nadelman in 1937. Exhibited by the couple from 1926 to 1937 in their pioneering Museum of Folk and Peasant Arts in Riverdale, New York, the nearly fifteen thousand works come from a collection spanning six centuries, thirteen countries, and a broad range of media.
Authors Margaret K. Hofer and Roberta J.M. Olson explore a nucleus of some two hundred and sixteen highlights in eighty-seven catalog entries, as well as nine of Nadelman's own sculptures, and consider the possible interchanges between the Nadelman's collecting and his avant-garde art.
Their research, employing new archival evidence from the Historical Society and the rich cache of Nadelman Papers, has resulted in exciting discoveries, among them Nadelman's active role in restoring some of his folk art objects.
Featuring seven provocative essays, Making It Modern breaks new ground not only on the Nadelmans and folk art, but also in the history of American art and taste during the fast-paced cultural revolutions of the early twentieth century.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Margaret K. Hofer is curator of Decorative Arts at the New-York Historical Society. She is the author of Stories in Sterling: Four Centuries of Silver in New York (2011), A New Light on Tiffany: Clara Driscoll and the Tiffany Girls (with Martin Eidelberg and Nina Gray, 2007; German and Dutch editions, 2009), The Games We Played: The Golden Age of Board and Table Games (2003), and Seat of Empire(with Roberta J.M. Olson, 2002).
Roberta J.M. Olson is curator of drawings at the New- York Historical Society and Professor Emerita of Art History at Wheaton College, Massachusetts. She is the author of numerous publications, including most recently Audubon s Aviary: The Original Watercolors for The Birds of America (2012), Drawn by New York: Six Centuries of Watercolors and Drawings at the New-York Historical Society (2008), The Biography of the Object in Italian Medieval and Renaissance Art (2006), and The Florentine Tondo (2000).
Elizabeth Stillinger is an independent scholar.
Kenneth L. Ames is professor at the Bard Graduate Center, New York City.
Cynthia Nadelman is an independent scholar and writer.
Barbara Haskell is the curator at the Whitney Museum of American Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : marvin granlund, Emeryville, CA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. Near Fine first edition (2015) in Near Fine dust jacket. There is very minor bumping at the top corners of the covers, else Fine. 376 pages, unmarked; DD1018 OVR62; 4to 11" - 13" tall; 376 pages. N° de réf. du vendeur 46478
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Very Good. This lavishly illustrated volume is the first comprehensive study of the folk art collection purchased by the New-York Historical Society from Elie and Viola Nadelman in 1937. Exhibited by the couple from 1926 to 1937 in their pioneering Museum of Folk and Peasant Arts in Riverdale, New York, the nearly fifteen thousand works come from a collection spanning six centuries, thirteen countries, and a broad range of media. Authors Margaret K. Hofer and Roberta J.M. Olson explore a nucleus of some two hundred and sixteen highlights in eighty-seven catalog entries, as well as nine of Nadelman's own sculptures, and consider the possible interchanges between the Nadelman's collecting and his avant-garde art. Their research, employing new archival evidence from the Historical Society and the rich cache of Nadelman Papers, has resulted in exciting discoveries, among them Nadelman's active role in restoring some of his folk art objects.Featuring seven provocative essays, Making It Modern breaks new ground not only on the Nadelmans and folk art, but also in the history of American art and taste during the fast-paced cultural revolutions of the early twentieth century.Margaret K. Hofer is curator of decorative arts, New York Historical SocietyRoberta J.M. Olson is curator of drawings, New York Historical SocietyElizabeth Stillinger is an independent scholar.Kenneth L. Ames is professor at the Bard Graduate Center, New York City.Cynthia Nadelman is an independent scholar and writer.Barbara Haskell is the curator at the Whitney Museum of American Art. A major contribution to the study and understanding of American and European folk art. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector. N° de réf. du vendeur 306409
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Vendeur : Eagle Eye Books, Decatur, GA, Etats-Unis
Hardcover. Etat : Remainder. N° de réf. du vendeur 771510
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Vendeur : Veronica's Books, Gig Harbor, WA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 375PP. Coffee table book, with a shipping weight over 5 lbs that will require substantial additional postage for international options. Pictorial dust jacket, fully illustrated. N° de réf. du vendeur 053353
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Vendeur : Diatrope Books, Berkeley, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : very good. Factory sealed. Unmarked. This lavishly illustrated volume is the first comprehensive study of the folk art collection purchased by the New-York Historical Society from Elie and Viola Nadelman in 1937. Illustrated end papers. Seven provocative essays. 376p. N° de réf. du vendeur 33184
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Vendeur : Exquisite Corpse Booksellers, Houston, TX, Etats-Unis
Cloth. Etat : Fine Condition. Etat de la jaquette : Fine Condition. 376 pages. Hardcover. Texts in English. Edges and corners of the boards are sharp, the binding is tight and crisp, the jacket is bright and unblemished. Interior is clean and free of markings. Bound in black cloth covered boards and wrapped in an illustrated paper dustjacket. Published on the occasion of the exhibition held from September 6-November 29, 2015 in Albuquerque, and subsequently in New York and Andover. Book. N° de réf. du vendeur 029039
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. 376. N° de réf. du vendeur 374919770
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Features one hundred American folk art objects acquired by avant-garde sculptor Elie Nadelman and his wife Viola Speiss Flannery Nadelman. Num Pages: 375 pages. BIC Classification: 1KBB; AFTB; AGC; WCU. Category: (G) General (US: Trade). Dimension: 240 x 288 x 37. Weight in Grams: 2248. . 2015. Hardcover. . . . . N° de réf. du vendeur V9781907804298
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur d04c55ab63cd7486183d87810308cb8b
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. 'Making it Modern' features approximately 100 folk art objects acquired by the avant-garde sculptor Elie Nadelman and his wife, Viola, between 1919 and 1934, when the couple were forced to find a buyer for their vast collection of 70,000 pieces. Most were bought by the New-York Historical Society in 1937. This substantial volume presents all of the objects in full-colour plates, covering a huge range of geographic areas and media, including Pennsylvania German folk art, imposing large-scale wooden sculptures and oil portrait paintings, 19th-century metal and wooden toys, drawings and watercolours and household tools and small objects. Archival photographs reveal the way in which the Nadelmans exhibited their most treasured works in their own purpose-built Museum of Folk and Peasant Arts in Riverdale, NY in the 1920s and 1930s. 'Making it Modern' explores several key themes, notably the definition of folk art, both in the early 20th century and as it is generally accepted today, its influence on modernism and Nadelman's own sculpture, and the relationship between American and European folk art. This is a major contribution to the study and understanding of folk art, and to Nadelman's own appealing and engaging sculpture. AUTHOR: Margaret K. Hofer is curator of decorative arts, New-York Historical Society Roberta J.M. Olson is curator of drawings, New-York Historical Society SELLING POINTS: . A major contribution to the study and understanding of folk art, and to Nadelman's own appealing and engaging sculpture. . Explores the definition of folk art, its influence on modernism and the relationship between American and European folk art. 250 colour and 50 b/w illustrations A major contribution to the study and understanding of American and European folk art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781907804298
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