Ce premier volume de la série Double Exposure est une introduction à la collection, révélant les façons dont les Afro-Américains ont utilisé l'activisme, la communauté et la culture pour lutter pour la justice sociale et créer une vie meilleure. Outre plus de 60 photographies, ce volume remarquable comprend un avant-propos du directeur fondateur Lonnie G. Bunch III, une introduction de la conservatrice Rhea L. Combs et un essai de la photographe et universitaire Deborah Willis. Parmi les photographes présentés figurent Spider Martin, Gordon Parks, Ernest C. Withers et Wayne F. Miller. Des images emblématiques telles que Gordon under Medical Inspection (1863) de McPherson et Oliver rejoignent des images du mouvement des droits civiques, ainsi que des images peu connues ou récemment découvertes, notamment les photos d'après-guerre de Henry Clay Anderson sur la vie quotidienne dans la communauté noire de Greenville, dans le Mississippi, où régnait la ségrégation. Des portraits au daguerréotype d'avant la guerre civile aux tirages numériques du XXIe siècle, il s'agit d'un témoignage puissant d'événements historiques clés, de pierres de touche culturelles et de moments privés et collectifs de la vie afro-américaine. Double Exposure est une série dynamique basée sur la remarquable collection de photographies du Earl W. and Amanda Stafford Center for African American Media Arts au Smithsonian National Museum of African American History and Culture.
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Rhea Combs is a curator at the Smithsonian Institution s National Museum of African American History and Culture and head of the museum s Earl W. and Amanda Stafford Center for African American Media Arts. Combs has written several articles on gender, sexuality, and African American visual culture as well as curated shows at museums both nationally and internationally, including: ICA-London, Spelman College and the Schomburg Center for Black Culture. Combs was a former photo curator for the international advertising firm, Wieden+Kennedy.
Deborah Willis has pursued a dual professional career as an art photographer and as one of the nation's leading historians of African American culture. She is University Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University. Historian, author, curator and educator, Lonnie G. Bunch, III is the founding director of the Smithsonian s National Museum of African American History and Culture. "
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Double Exposure is a major new series based on the remarkable photography collection held by the Earl W. and Amanda Stafford Center for African American Media Arts at the NMAAHC. From pre-Civil War daguerreotype portraits to 21st-century digital prints, this is a striking record of the key historical events, the cultural touchstones and the private and communal moments of African American life. In addition to over fifty photographs, each volume includes an introduction by a leading historian, activist, photographer or writer, and a foreword by the NMAAHC's founding director Lonnie Bunch. Photographers include Spider Martin, Gordon Parks, Ernest C. Withers, Wayne F. Miller and Henri Cartier- Bresson. There are iconic images, such as McPherson and Oliver's Gordon under Medical Inspection (circa 1867) and Charles Moore's photographs of the 1963 Birmingham Children's Crusade, as well as unfamiliar or recently discovered images, including Henry Clay Anderson's postwar pictures of everyday life in the segregated black community in Greenville, Mississippi. N° de réf. du vendeur LU-9781907804465
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