Marking a crucial turning point in Caravaggio's life and artistic development, the Crucifixion of Saint Andrew exemplifies the artist's famous tenebristic style, developed during his rise to fame in Rome, and simultaneously signals a new, grittier realism in his work. Inspired both by a Spanish patron and by the urban topography of Naples, a city three times the size of Rome in Caravaggio's day, the Crucifixion of Saint Andrew became a mobile portent of Caravaggio's stylistic revolution when the viceroy brought it with him to Valladolid in 1610. Recounting the complex history of this masterwork and its understudied position in Caravaggio's oeuvre, this book reveals the ways in which the Crucifixion of Saint Andrew functioned first as a devotional aid and subsequently as a harbinger of Caravaggism abroad.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Erin E. Benay is Climo Junior Professor of Renaissance and Baroque Art, Department of Art History, Case Western Reserve University, Ohio.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Blue Vase Books, Interlochen, MI, Etats-Unis
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Paperback. Etat : new. Paperback. Recounts the complex history of this understudied masterwork and its important, and influential, position in Caravaggio's oeuvre. The Crucifixion of Saint Andrew (16067) marks a crucial turning point in the life and artistic development of Michelangelo Merisi da Caravaggio (15711610). One of seven Caravaggio paintings in US collections, and the only altarpiece, it exemplifies the influential tenebristic style the artist developed during his rise to fame in Rome, while signaling the introduction of an even grittier realism in his work. This is the first book-length publication to consider this understudied masterwork in its complex historical and geographic contexts, and to incorporate the findings of a recent conservation study in its assessment of the work. AUTHOR: Erin E. Benay is Climo Junior Professor of Renaissance and Baroque Art, Department of Art History, Case Western Reserve University, OH. SELLING POINTS: . This volume focuses on one enigmatic painting as a way of addressing larger issues related to the mobility of objects in the seventeenth century and the dissemination of artistic style. . It is the first book-length publication to consider this painting and to incorporate the recent conservation in its analysis of the work. 90 colour images Recounts the complex history of this understudied masterwork and its important, and influential, position in Caravaggio's oeuvre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781911282242
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Paperback. Etat : New. Marking a crucial turning point in Caravaggio's life and artistic development, the Crucifixion of Saint Andrew exemplifies the artist's famous tenebristic style, developed during his rise to fame in Rome, and simultaneously signals a new, grittier realism in his work. Inspired both by a Spanish patron and by the urban topography of Naples, a city three times the size of Rome in Caravaggio's day, the Crucifixion of Saint Andrew became a mobile portent of Caravaggio's stylistic revolution when the viceroy brought it with him to Valladolid in 1610. Recounting the complex history of this masterwork and its understudied position in Caravaggio's oeuvre, this book reveals the ways in which the Crucifixion of Saint Andrew functioned first as a devotional aid and subsequently as a harbinger of Caravaggism abroad. N° de réf. du vendeur LU-9781911282242
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2018. Paperback. . . . . . N° de réf. du vendeur V9781911282242
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
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