Marking the 350th anniversary of the death of Rembrandt van Rijn, this fourth volume in the Frick Diptych series offers fresh insight into one of the artist's most romantic and enigmatic portraits--The Polish Rider. This painting has been on view at The Frick Collection since the museum opened to the public in December 1935, and has inspired countless theories about its subject, meaning and history.
An illuminating essay by Xavier F. Salomon, the Frick's Peter Jay Sharp Chief Curator, addresses the many questions of provenance, attribution, and historical and artistic context. In a creative, vibrant piece, New York based author and illustrator Maira Kalman, captures the elusive nature of the painting; an imaginary musing about Rembrandt, being Polish, a traveller, and her enduring fascination with the Frick.
Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. Other volumes in the series include Holbein's Sir Thomas More by Hilary Mantel and Xavier F. Salomon, Vermeer's Mistress and Maid by James Ivory and Margaret Iacono, and Gouthière's Candelabras by Edmund de Waal and Charlotte Vignon.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Maira Kalman was born in Tel Aviv and moved to New York with her family at the age of four. She now lives in Manhattan. Maira has written and illustrated numerous books, including Cake, And the Pursuit of Happiness and The Principles of Uncertainty. She is the illustrator of Michael Pollan's Food Rules and the bestselling edition of William Strunk and E. B. White's The Elements of Style. Kalman's work is shown at the Julie Saul Gallery in Manhattan. Xavier F. Salomon is Peter Jay Sharp Chief Curator of The Frick Collection.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. The romantic and enigmatic character of this picture has inspired many theories about its subject, meaning, history, and even its attribution to Rembrandt. Several portrait identifications have been proposed, including an ancestor of the Polish Oginski family, which owned the painting in the eighteenth century, and the Polish Socinian theologian Jonasz Szlichtyng. The rider's costume, his weapons, and the breed of his horse have also been claimed as Polish. But if The Polish Rider is a portrait, it certainly breaks with tradition. Equestrian portraits are not common in seventeenth-century Dutch art, and furthermore, in the traditional equestrian portrait the rider is fashionably dressed and his mount is spirited and well-bred. The painting may instead portray a character from history or literature, and many possibilities have been proposed. Candidates range from the Prodigal Son to Gysbrech van Amstel, a hero of Dutch medieval history, and from the Old Testament David to the Mongolian warrior Tamerlane. It is possible that Rembrandt intended simply to represent a foreign soldier, a theme popular in his time in European art, especially in prints. Nevertheless, Rembrandt's intentions in The Polish Rider seem clearly to transcend a simple expression of delight in the exotic. The painting has also been described as a latter-day Miles Christianus (Soldier of Christ), an apotheosis of the mounted soldiers who were still defending Eastern Europe against the Turks in the seventeenth century. Many have felt that the youthful rider faces unknown dangers in the strange and somber landscape, with its mountainous rocks crowned by a mysterious building, its dark water, and the distant flare of a fire. N° de réf. du vendeur LU-9781911282532
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Hardback. Etat : New. The romantic and enigmatic character of this picture has inspired many theories about its subject, meaning, history, and even its attribution to Rembrandt. Several portrait identifications have been proposed, including an ancestor of the Polish Oginski family, which owned the painting in the eighteenth century, and the Polish Socinian theologian Jonasz Szlichtyng. The rider's costume, his weapons, and the breed of his horse have also been claimed as Polish. But if The Polish Rider is a portrait, it certainly breaks with tradition. Equestrian portraits are not common in seventeenth-century Dutch art, and furthermore, in the traditional equestrian portrait the rider is fashionably dressed and his mount is spirited and well-bred. The painting may instead portray a character from history or literature, and many possibilities have been proposed. Candidates range from the Prodigal Son to Gysbrech van Amstel, a hero of Dutch medieval history, and from the Old Testament David to the Mongolian warrior Tamerlane. It is possible that Rembrandt intended simply to represent a foreign soldier, a theme popular in his time in European art, especially in prints. Nevertheless, Rembrandt's intentions in The Polish Rider seem clearly to transcend a simple expression of delight in the exotic. The painting has also been described as a latter-day Miles Christianus (Soldier of Christ), an apotheosis of the mounted soldiers who were still defending Eastern Europe against the Turks in the seventeenth century. Many have felt that the youthful rider faces unknown dangers in the strange and somber landscape, with its mountainous rocks crowned by a mysterious building, its dark water, and the distant flare of a fire. N° de réf. du vendeur LU-9781911282532
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Hardcover. Etat : new. Hardcover. Offers fresh insight into one of Rembrandt's most romantic and enigmatic paintings. The romantic and enigmatic character of this picture has inspired many theories about its subject, meaning, history, and even its attribution to Rembrandt. Several portrait identifications have been proposed, including an ancestor of the Polish Oginski family, which owned the painting in the eighteenth century, and the Polish Socinian theologian Jonasz Szlichtyng. The rider's costume, his weapons, and the breed of his horse have also been claimed as Polish. But if The Polish Rider is a portrait, it certainly breaks with tradition. Equestrian portraits are not common in seventeenth-century Dutch art, and furthermore, in the traditional equestrian portrait the rider is fashionably dressed and his mount is spirited and well-bred. The painting may instead portray a character from history or literature, and many possibilities have been proposed. Candidates range from the Prodigal Son to Gysbrech van Amstel, a hero of Dutch medieval history, and from the Old Testament David to the Mongolian warrior Tamerlane. It is possible that Rembrandt intended simply to represent a foreign soldier, a theme popular in his time in European art, especially in prints. Nevertheless, Rembrandt's intentions in The Polish Rider seem clearly to transcend a simple expression of delight in the exotic. The painting has also been described as a latter-day Miles Christianus (Soldier of Christ), an apotheosis of the mounted soldiers who were still defending Eastern Europe against the Turks in the seventeenth century. Many have felt that the youthful rider faces unknown dangers in the strange and somber landscape, with its mountainous rocks crowned by a mysterious building, its dark water, and the distant flare of a fire. AUTHORS: Maira Kalman was born in Tel Aviv and moved to New York with her family at the age of four. She now lives in Manhattan. Maira has written and illustrated numerous books, including Cake, And the Pursuit of Happiness and The Principles of Uncertainty. She is the illustrator of Michael Pollan's Food Rules and the bestselling edition of William Strunk and E. B. White's The Elements of Style. Kalman's work is shown at the Julie Saul Gallery in Manhattan. 50 colour illustrations Offers fresh insight into one of Rembrandt's most romantic and enigmatic paintings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781911282532
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