This Present Moment: Crafting a Better World showcases American craft like never before. Accompanying a 2022 exhibition of the same name, it features artists' stories of resilience, methods of activism, and highlights craft's ability to spark essential conversations about race, gender, and representation.
This book marks the fiftieth anniversary of the Smithsonian American Art Museum's Renwick Gallery, the nation's preeminent center for the enjoyment of American craft. It honors the history of the American studio craft movement while also introducing progressive contemporary narratives.
This Present Moment highlights the often-overlooked histories and contributions of women, people of color, and other marginalized communities. The volume features many of the more than two hundred recently acquired artworks to the Smithsonian American Art Museum's collection.
Named after Alicia Eggert's 2019-20 neon artwork, This Present Moment looks at American craft "in the whirlwind of now," revealing possibilities for contemporary makers to show us a more empathetic future.
Featured artists include Tanya Aguiñiga, Nick Cave, David Chatt, Sonya Clark, Cristina Córdova, Cindy Drozda, Alicia Eggert, J. Paul Fennell, Aram Han Sifuentes, Carla Hemlock (Kanienkeháka), Sharon Kerry-Harlan, Ron Ho, Katie Hudnall, Pat Kramer, Stephen Young Lee, Linda Lopez, Roberto Lugo, Wendy Maruyama, Myra Mimlitsch-Gray, Tom Loeser, John Mascoll, Connie Mississippi, George Nakashima, L. J. Roberts, Judith Schaechter, Preston Singletary, Polly Adams Sutton, Toshiko Takaezu, Gail Tremblay (Mi'kmaq and Onondaga), Nancy Worden, Consuelo Jiménez Underwood, and many more.
The cover of this volume is printed in 50 color variations; a purchased copy may be different from the image pictured.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mary Savig is the Lloyd Herman Curator of Craft for the Renwick Gallery of the Smithsonian American Art Museum. Recent exhibitions include Ephemeral and Eternal: The Archive of Lenore Tawney (2019) at the John Michael Kohler Arts Center in Sheboygan, Wisconsin, and What Is Feminist Art?(2019 at the Smithsonian's Archives of American Art. Savig is co-curator of the forthcoming exhibition Subversive, Skilled, Sublime: Fiber Art by Women (2022) at the Smithsonian American Art Museum.
Nora Atkinson is the Fleur and Charles Bresler Curator-in-Charge for the Renwick Gallery of the Smithsonian American Art Museum. She is author of Craft for a Modern World: The Renwick Gallery Collection (2015) and co-author of the exhibition catalogues accompanying Visions and Revisions: Renwick Invitational 2016 and Forces of Nature: Renwick Invitational 2020.
Anya Montiel (Mexican/Tohono O'odham descent) is a curator at the Smithsonian's National Museum of the American Indian. Montiel is a contributor for the Smithsonian's American Indian.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. During the summer of 2020, the space outside the Renwick Gallery-the Smithsonian American Art Museum's dedicated museum for contemporary craft and decorative arts-became home to a new discussion about racial justice on Black Lives Matter Plaza. The curators at the Renwick Gallery felt the need to align themselves with what was going on right outside the Gallery's door, the organizing rationale for understanding the objects presented in this volume, many of which are new acquisitions.The title is taken from Alicia Eggert's 2019-2020 eponymous neon work, and the 85 objects in the main plates section lead the reader from the idea of shelter, through layers of expanding spaces to the vast expanses of the universe. The volume looks at contemporary American craft "in the whirlwind of now" revealing possibilities for contemporary makers to respond to a more empathetic future. N° de réf. du vendeur LU-9781913875268
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Hardcover. Etat : new. Hardcover. A highly illustrated, important volume inspired by the way craft artists have united during the COVID pandemic and engaged in artistic conversations about race, gender, and inclusivity. During the summer of 2020, the space outside the Renwick Gallery - the Smithsonian American Art Museum's dedicated museum for contemporary craft and decorative arts - became home to a new discussion about racial justice on Black Lives Matter Plaza. The curators at the Renwick Gallery felt the need to align themselves with what was going on right outside the Gallery's door, the organizing rationale for understanding the objects presented in this volume, many of which are new acquisitions. The title is taken from Alicia Eggert's 2019-2020 eponymous neon work, and the 85 objects in the main plates section lead the reader from the idea of shelter, through layers of expanding spaces to the vast expanses of the universe. The volume looks at contemporary American craft "in the whirlwind of now" revealingpossibilities for contemporary makers to respond to a more empathetic future. AUTHORS: Nora Atkinson is the Fleur and Charles Bresler Curator-in-Charge for the Renwick Gallery of the Smithsonian American Art Museum. She is the author of Craft for a Modern World: The Renwick Gallery Collection (2015) and a co-author of the exhibition catalogue accompanying Visions and Revisions (2016). She lives in Washington, DC. Anya Montiel is curator of American and Native American women's art and craft, a joint position between the Smithsonian American Art Museum and the National Museum of the American Indian. Montiel has been a writer for the Smithsonian's American Indian magazine since 2002 where she writes about contemporary Native American life and art. Mary Savig is the Lloyd Herman Curator of Craft, Renwick Gallery, Smithsonian American Art Museum. Recent exhibitions include Ephemeral and Eternal: The Archive of Lenore Tawney (2019) at the John Michael Kohler Arts Center in Sheboygan, Wisconsin; and at the Smithsonian Archives, What is Feminist Art? (2019). 133 colour illustrations A highly illustrated, important volume inspired by the way craft artists have united during the COVID pandemic. It acknowledges often-overlooked histories and contributions, and reveals possibilities for contemporary craft makers to articulate a more relational and empathetic world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781913875268
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Hardback. Etat : New. During the summer of 2020, the space outside the Renwick Gallery-the Smithsonian American Art Museum's dedicated museum for contemporary craft and decorative arts-became home to a new discussion about racial justice on Black Lives Matter Plaza. The curators at the Renwick Gallery felt the need to align themselves with what was going on right outside the Gallery's door, the organizing rationale for understanding the objects presented in this volume, many of which are new acquisitions.The title is taken from Alicia Eggert's 2019-2020 eponymous neon work, and the 85 objects in the main plates section lead the reader from the idea of shelter, through layers of expanding spaces to the vast expanses of the universe. The volume looks at contemporary American craft "in the whirlwind of now" revealing possibilities for contemporary makers to respond to a more empathetic future. N° de réf. du vendeur LU-9781913875268
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