This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales, The Book of Margery Kempe, and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages. Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales, The Book of Margery Kempe, and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced. Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books. This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations.
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Vendeur : Pallas Books Antiquarian Booksellers, Leiden, Pays-Bas
hardbound, pictorial boards, 8vo xv+230 pp. this book discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales, The Book of Margery Kampe and Piers Plowman as models; LIKE NEW condition. N° de réf. du vendeur 34139
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9782503523163. N° de réf. du vendeur 3727754
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Vendeur : ISD LLC, Bristol, CT, Etats-Unis
hardcover. Etat : New. 1st. N° de réf. du vendeur 88321
Quantité disponible : 11 disponible(s)
Vendeur : SKULIMA Wiss. Versandbuchhandlung, Westhofen, Allemagne
Etat : Neu. Three Medieval Authors in Manuscript and Movable Type. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales, The Book of Margery Kempe, and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages. Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales, The Book of Margery Kempe, and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced. Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books. This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations. XV,230 Seiten mit 5 Abb., gebunden (Texts and Transitions: Studies in the History of Manuscripts and Printed Books; vol. 4/Brepols 2007). Statt EUR 74,90. Gewicht: 590 g - Gebunden/Gebundene Ausgabe. N° de réf. du vendeur 79515
Quantité disponible : 2 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 5284141
Quantité disponible : 12 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 5284141-n
Quantité disponible : 12 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages. Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced.Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books. This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations.This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. The forces of the Reformation era did not produce the same effect across the varied textual legacy of the Middle Ages.Every text that made the transition from manuscript to print brought with it a set of concerns, a tendency to address a particular readership in particular ways, a physical presence developed in manuscript culture, all of which might shape the pathways by which a text might arrive in print, and what it might look like when it got there. This study follows The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman from their circulation in manuscript to their presentation in print, in order to track how each of them survived the metamorphosis of the relationship between writers and readers as the new technology was introduced. Taken together, the three case studies demonstrate to scholars of any medieval literature the variety of possible impacts made when texts composed in manuscript culture were prepared for printing. The great force exerted by the technological and cultural developments of the English Reformation, not least the more centralized legislative regulation of the press, has long been central to the study of the history of books.This volume takes into account the ways in which individual textual traditions pushed back or accelerated the forces of early modern reform, producing their own plural reformations. This volume discusses the key shift from manuscript to print culture in the history of books, taking The Canterbury Tales , The Book of Margery Kempe , and Piers Plowman as models of the way in which a medieval text's unique tradition influenced its transition from manuscript to print. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9782503523163
Quantité disponible : 1 disponible(s)
Vendeur : Pórtico [Portico], ZARAGOZA, Z, Espagne
Tapa blanda. Etat : New. SCHOFF, R. L.: REFORMATIONS. THREE MEDIEVAL AUTHORS IN MANUSCRIPT AND MOVABLE TYPE. TURNHOUT, 2007, xv 230 p. figuras, 600 gr. Encuadernacion original. Nuevo. (NB-7-2) 600 gr. Libro. N° de réf. du vendeur 438919
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 5284141-n
Quantité disponible : 1 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2008. 1st Edition. hardcover. . . . . . N° de réf. du vendeur V9782503523163
Quantité disponible : 11 disponible(s)